With his latest book, globally renowned skin cancer surgeon Dr Sharad Paul, reflects on habits and tweaks that may just allow us to hack into genomics to optimize our performance. Produced by Kadambari Raghukumar.

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Pepa Torre first came to New Zealand in the mid 90s. In her recent multimedia art installation called "23, 24, 25…Life U-Turns...Fate?", Torre looks back at 25 years of exploring time and experiences that define her idea of self.

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In our final episode of Accidental Comics - We're with guests Sameena Zehra and Eddy Rodriguez both of whom stepped into the world of comedy after coming to New Zealand.

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This week, Scotland to Auckland was a circuitous route for comic David Stuart who came seeking love and a laugh - he's gets there in the end. Produced by Kadambari Raghukumar.

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In part two of our series with funny folk, we're joined by Summer Xia and Annie Guo who found comedy through chance in New Zealand. Produced by Kadambari Raghukumar.

When Summer Xia and Annie Guo came to New Zealand, performing in front of a crowd was certainly nowhere on their model minority dreams.

Not taking themselves too seriously helped with their Kiwi orientation. Roasting friends, family and their new immigrant selves eventually lef them to the world of standup comedy. So in this second part to Accidental Comics, Annie Guo and Summer Xia speak to Kadambari Raghukumar about what humour is to them; how it manifests in their bilingual brains and when do jokes on our collective immigrant experience run out of steam?

They both take to the stage at the NZ International Comedy Festival this May, to share their jokes on navigating life as first-gen Chinese immigrants in New Zealand.

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In this four-part series, Kadambari Raghukumar talks to folks with jokes - people from overseas who’ve ended up as stand-up comics out of chance - their comedy, an outcome of coming to New Zealand. Edd Rivera came to New Zealand thinking it was somewhere in Europe. True story and he’s been here eight years on. Comedy by chance, comedy to cope with moving countries. Produced by Kadambari Raghukumar.

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Javier Murcia's got his hands full rather literally. The sculptor is a master at casting in clay and bronze, the intricacies and subtleties of the human form. In this episode, he chats with Kadambari Raghukumar about his explorations in form and beyond.

Hearing Javier Murcia talk about his process as he breaks down each step of making from clay, a human figure, sounds like a class in anatomy. It's close.

In this episode of Here Now, Kadambari Raghukumar chats to the sculptor in his studio at Avalon Studios, Lower Hutt, about everything from Spain to Wellington, traversing his personal and artistic journey.

Between recording his 5 hour long full-render sessions for his online sculpting workshops, to casting hundreds of his signature figurative pieces, Javier Murcia has been up against time, and that’s nothing new. A scan around his studio and it’s easy to see how prolific he has been. Javier’s best known for figurative sculpture, a testimony to his acute understanding the human body and movement – from the poses to the proportion.

Murcia was born in Spain and moved to New Zealand to explore work in the film industry, ending up at Weta Studios for several years in an "amazing bubble" as he calls it.

Working with the human form though, goes back to an interest from his childhood, growing up surrounded by books on anatomy, thanks to a physiotherapist father. While it could seem figurative sculpting is more relatable the more realistic it is to the real human form, but that’s not the case Javier says – whether, distorted or keeping with reality, it’s a language unique to the maker.

Part of Javier's more recent exploration is a newer collection that plays with with enamel, sand, epoxy resin, and a diametric move away from his work with human form. He calls it MaTI – or Matter and Time - they're large, intriguing, circular pieces of illuminated and textured work - outcomes of his curiosity to see where, if pushed, his skills and artistic language can take him.

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Reggae artist Protoje who graced The Bowl stage at WOMAD Aotearoa this year, speaks to Kadambari Raghukumar in this episode on all things from patties to performances.

The world’s awash with so many mixed messages about Jamaica but what makes the intrigue endure is this incessant stream of positivity, upfulness and the calibre of music that the country puts out.

One of Jamaica's reigning reggae icons Protoje performed at The Bowl stage at this year's WOMAD Aotearoa and Kadambari Raghukumar got to chat with him, pre-show. The conversation goes from chatting about his parents, politics, patties of course, to the idea of why most people nowadays may associate Jamaican music just dancehall.

"People here today they're gonna see me a reggae music artist from Jamaica, their perception of what Jamaican music is going to be also that and other stuff. I think it's just visibility. It's about doing the work, being on the ground, playing the shows, being active and spreading that energy globally. it's action, you know? I can do it by going out there and playing music and letting people see the type of songs we have to offer, which we do on a global scale."

Protoje along with other artists like Kabaka Pyramid, Lila Ike are all part of a group of artists emerging out of Jamaica responsible for spearheading what's been a roots reggae revival of sorts, focussed on conscious music.

"I think we all have some message and if we listen to each other, I'm sure we can decipher the message that all of us have. I just feel that I've been fortunate to have a platform and to share the thoughts that come up in my head on lonely nights and people get to hear it."

Born Oje Ken Ollivierre and raised in St Elizabath, Jamaica, both of Protoje’s parents were reggae and calypso singers - Lorna Bennett and Mike Ollivierre - but there's no sense of pressure when it comes to him carrying forward a legacy he said.

"I don't look at it like that. It's all a good cycle. I'm My parents live within me, I just do the music that I do. I'm privileged to work with my mum. She's my manager. So she gets a second time to live through music and she's excited."

Protoje's even keel attitude is hard to ignore, unaffected and unperturbed by the high energies of a festival like WOMAD.

"It's life sometimes. Your emotions up and down. For me, especially if I have a show. I'm chill, I'm easy. I save my energy for stage because it's real energy. You're giving your energy to people. So I try to just keep it balanced, as low key as possible."

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