In this episode Miranda speaks Peregrine Honig. Peregrine is a multidisciplinary artist whose themes include pop culture, sexuality and consumerism and whose work is in the permanent collections of the Whitney, the Chicago Art Institute and the National Museum of Women in the Arts. They talk about the arc of an artist’s life—how identity, sensuality, gender, and power all come into play in her work and her business. As well as her early influences growing up in San Francisco of the 1970s and the search for the perfect line.

Cover photo by Paul Andrews

Peregrine's Website

Peregrine's Instagram

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This week, Miranda speaks with Pavel Acevedo. They talk about themes of oral traditions and community through his storytelling incorporating indigenous knowledge, anarchist communal values, and the interconnectedness between humans and nature. As well as his experience working with Maestro Shinzaburo Takeda and community-based Art Projects such as developing large collaborative print projects.

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This week, Miranda speaks with Mariana Ramos Ortiz, an interdisciplinary artist whose work explores the structural and temporal qualities of sand in relation to themes of occupation, self-determination, permanence, and protection— within the context of Puerto Rico’s ongoing colonial realities.

In our conversation, we discuss how they uses play and community as tactics of protest and healing, the role of ephemerality and material experimentation in printmaking, and how their practice engages with landscape, memory, and resistance as acts of reflection and reclamation.

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This week, Miranda speaks with Claudia Wilburn and Joseph Velasquez about the Southern Graphics Council International (SGCI)—the largest and oldest professional print organization in the United States. They discuss what makes printmakers so eager to organize and celebrate their shared passion for the medium, the 50+ year history of SGCI, and what attendees can look forward to at the upcoming SGCI conference in San Juan, Puerto Rico, happening April 2–5, 2025.

Learn more about the conference or register

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This week, Miranda speaks with Eliza Lutz (they/them)—a musician, printmaker, and PhD student in linguistics based in Albuquerque, New Mexico. Eliza is also the recipient of Print Austin’s Best in Show award for their work in The Contemporary Print, an exhibition on view through March 20th.

They discuss Eliza’s journey from running a record label in a streaming-dominated world and working the DIY screen-printing scene to becoming a fine printmaker, the complexities of the American healthcare system, and how printmaking serves as an extension of their disabled body.

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This week, Miranda speaks with Neil Daigle-Orians. They talk about being haunted, literally and metaphorically, internet horror, and how print is not dead. It’s undead.

Neil's Website

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