This episode is a wide-ranging conversation on creativity, Jungian psychology, and what it takes to write from the depths. Béa reflects on her novel Invocation as a psychological culmination of years of work, one that braided together cognitive science, mythology, and inner development and ultimately prompted her to step away from her long-running group. From there, the discussion moves into the disruptive symbolism of the goddess Eris and why storytelling remains essential for both personal integration and the wider cultural humanities. Looking ahead, Béa shares early insights into her next project, a historical fantasy shaped by celestial maps and the myth of Parsifal. Throughout the episode, the creative act emerges as a form of inner healing and a living bridge between the rational and irrational dimensions of the psyche.

Link to information about Invocation: Bea Gonzalez Sophiacycles

In this episode, I turn to the Romantics as guides for a world coming apart, viewing Mary Shelley's Frankenstein as a protest against a mechanistic worldview that devalues feeling. Some questions that emerge from this journey are:   What do we do when technology outpaces our moral framework? Just because we're able to do something, should we? What responsibilities do we incur when we create a new form of life? Are we repeating Frankenstein's mistake when we build systems and then disclaim any obligation to the creatures we have released onto the world?

Books Mentioned:

Magnificent Rebels, Andrea Wulf Romantic Outlaws, Charlotte Gordon Frankenstein, Mary Shelley A Flash of Golden Fire, Thomas Elsner The Rime of the Ancient Mariner, Samuel Taylor Coleridge The Romantics and Us, Simon Schama BERGHAIN, Rosalia [Lux] Guillermo del Toro’s, Frankenstein

In this episode of Gatherings, we unpack the enduring power of the vampire archetype. We trace its evolution from the gothic shadows of Dracula to today’s romanticized immortal figures, revealing how the vampire reflects the repressed, unintegrated, and wounded parts of the psyche. Drawing on insights from Marion Woodman and Michael Singer, we explore the vampire as a symbol of psychic energy turned inward—what happens when life force becomes blocked or possessed by the shadow. We also situate the myth in its social context, connecting its late-Victorian rise to cultural fears around feminism, sexuality, and capitalism. The conversation closes by asking why our current moment is again obsessed with the vampire and what this collective fascination might tell us about trauma, desire, and the hunger for aliveness.