Remi Rough is a London-born artist known for transforming graffiti’s raw energy into bold, geometric abstraction. Emerging from the South London graffiti scene in the 1980s, he has spent more than three decades pioneering a visual language that blends modernist precision with street culture rhythm.

Rough has collaborated, and been in group shows with artists including Futura⁠, ⁠Shepard Fairey⁠ ⁠Eric Haze⁠ ⁠Crash⁠, Shok1, ⁠MadC⁠, ⁠Carlos Mare⁠, ⁠JonOne⁠ and ⁠Stormie Mills⁠.

In 1999, he painted three murals with ⁠Banksy⁠, including the mural titled Dogma

A key figure in the Ikonoklast Movement and a contributor to its definitive monograph Future Language of the Ikonoklast, Remi’s work spans murals, canvases, public installations, and sound. He is also one half of the experimental music duo Dead Can Rap with American rap artist Mike Ladd, extending his creative expression into rhythm and spoken word. Remi’s art has appeared in cities worldwide and continues to push the boundaries of contemporary urban creativity.

You can learn more about Remi Rough by following him @remirough at http://remirough.com, and follow his music on bandcamp with The Dead Can Rap https://thedeadcanrap.bandcamp.com/music

Jen White-Johnson is an Afro-Latina, disabled, and neurodivergent artist, designer, and educator whose work merges art and activism. Based in Baltimore, she creates zines, photographs, and digital art that celebrate Black disabled joy and challenge systems of erasure. Her Black Disabled Lives Matter symbol has become an international icon of protest and solidarity, and her photo-zine Knox Roxs documents the life of her son while amplifying Black neurodivergent voices.

In this episode we talk about how she navigated her own autism diagnosis and how she uses photography, design and zine making as a pathway to collective liberation in troubled times.

You can learn more about Jen White-Johnson by following her on Instagram or visiting her website https://jenwhitejohnson.com/

Or theme music is produce by Soliheen, you can support his music at https://soliheen.bandcamp.com/

Julian Alexander has shaped how we see Black culture. Through music, design, and public art. From GRAMMY®-winning album packaging for Miles Davis to logos and covers for Jennifer Lopez, Eminem, and 50 Cent, his work has reached millions worldwide.

In this episode, we talk about his creative journey, and The Supremacy Project—a powerful public art initiative launched during the pandemic that challenges us to rethink power, equity, and shared values.

You can learn more about Julian Alexander and his workby visiting his websites at https://slanginc.com/ and https://supremacyproject.com/https://supremacyproject.com/ and on by following him on instagram

Our theme music is produced by Soliheen and sets the perfect tone for these conversations. Follow him on Bandcamp