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The scariest mask isn’t the one with horns. It’s the one that feels possible. We dive into The Black Phone and its sequel to test a simple claim: horror hits hardest when it stays close to the ground. The first film is a masterclass in tight dread—school, home, a basement—and a villain whose calm menace lingers long after the credits. A disconnected phone that won’t stop ringing, a boy learning to fight back, and Gwen’s visions that blur trauma and second sight: this is horror that respects our nerves.

Then we pivot to Black Phone 2, a sequel with big ideas and bigger moves. The early promise is there—snowbound landscapes, eerie dream-logic, and threads of the Grabber’s past flickering through ghostly footage—but the tone drifts. Instead of claustrophobic terror, we get an ice-rink showdown and lore that over-explains while undercutting risk. When almost no one dies, danger starts to feel optional. We talk about why spectacle rarely replaces fear, and how a single choice—shifting from human evil to supernatural theatre—changes everything.

Along the way we compare notes with Sinister, call out script choices that dull sharp edges, and map the moments that still deliver genuine unease. We also rank the “stupidity index” for both films, share the blunders that pulled us out of the story, and yes, imagine how each of us would meet our end in both universes. If you care about what makes horror stick—pacing, performance, plausibility, and the power of suggestion—this one’s for you.

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Join Lily and Damien as they dive into the world of horror films with humour, insight, and caffeine. From cult classics to guilty pleasures, they prove there’s no such thing as a bad horror movie.

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