In the heart of Rome's Jewish Ghetto, just opposite the Portico d'Ottavia and steps from the Teatro di Marcello, there is a staircase that leads down into history.

That staircase belongs to Leone Limentani Rome, one of the oldest family-run shops in the city — founded in 1820 and still operated by the same family, now in its seventh generation.

I first discovered Leone Limentani Rome decades ago when I lived on Via Giulia. I would walk along the Tiber and into the Ghetto, descend those stairs, and find myself in what felt like an Aladdin's cave of porcelain, crystal, and silver. Shelves stretched in every direction. Ginori plates. Limoges porcelain. Christofle cutlery. Baccarat crystal. Everything touchable. Everything real.

And that tactile immediacy is still part of what makes Leone Limentani Rome so special today.

Sitting among the ruins near the Terme di Caracalla, with ancient stones underfoot and Roman roads radiating outward beneath us, I spoke with Tom Brughmans, an archaeologist whose work is reshaping how we understand movement, connection, food, and daily life in the ancient Roman world.

Tom is the director of an ambitious international research project that has produced the first spatially detailed digital atlas of the Roman road system. Not just the famous roads, and not just Italy, but the entire Roman Empire—stretching across Europe, North Africa, and the Middle East. These are the roads people actually used, reconstructed through years of careful scholarship and made visible in a way that has never existed before.

Italian designers work quietly behind the scenes, shaping how leaders, artists, and thinkers present themselves to the world through style.

Rome has always been a city where power, culture, and aesthetics intersect. Politics meets art, ceremony meets daily life, and nowhere is that more visible than in the world of Italian designers who work quietly behind the scenes, shaping how leaders, artists, and thinkers present themselves to the world. One of the most remarkable of these is Sartoria Litrico, a Rome-based bespoke tailor now in its third generation and officially recognized as one of the city's historic artisans, by the Italian Ministry of National Historical Value.

Italian designers are not just stylists or trendsetters. At their best, they are observers of human nature, historians of the body, and translators of personality into fabric. Sartoria Litrico's story is not simply about suits—it is about how Italian craftsmanship shaped the visual language of the 20th century.