Co-hosts Eileen and Dolores agree that Paul Thomas Anderson’s ONE BATTLE AFTER ANOTHER is a must-see movie and a model for American filmmaking right now. An adaptation of Thomas Pynchon’s 1990 novel VINELAND, ONE BATTLE makes brilliant use of such dynamic genres as action, dark comedy, and the political thriller to drive this depiction of an aging radical leftist in hiding, hilariously played by Leonardo DiCarprio, who’s trying to protect his teenage daughter from his past. Then they’re targeted by rightwing political forces led by the repulsive Col. Lockjaw (Sean Penn) and compelled to go on the run. Don’t miss it!

New Filmsuck episode! Dolores and I enthuse about CAUGHT STEALING. It's doing pretty badly at the box-office, though it's a timely dark comic noir of chaotic working class life, and Austin Butler has a delightful co-star in the cat actor playing Bud.

Special guest Asali Echols, documentary filmmaker, talks to me about the current state of documentary films. We discuss a recent trend toward reviving the strict "observational documentary," led by filmmakers like Elizabeth Lo, whose breakthrough film was the dog's-eye-view movie STRAY (2020). Her upcoming new doc MISTRESS DISPELLER, about a "love industry" in China involving wives hiring undercover operatives to break up the relationships of husbands and their mistresses, tests the limits of Lo's "observational not interventionist" documentary filmmaking ethics. https://www.patreon.com/posts/straying-into-136099786