Is there anything better than a song that pops up on the radio, a bar or a club - or even unexpectedly in a playlist, and it just makes you happy?

I mean, I know we’re in the business of documenting hit songs here on encore - but I’d argue that the first seconds - scratch that - milliseconds of Sean Paul’s super-hit Get Busy are some of the most euphoric moments in all of music.

There’s just something about that call-to-action ‘Shake that thing’ intro, the doubling up of syllables in Kana-Kana, and Ana-Bella that captivates you - even before the rhythm hits.

I bet - and I totally didn’t research this - Get Busy is the most fully listened to three minutes and thirty seconds in all of music; because once you press play - there ain’t no WAY you’re shutting the song off until it’s over.

This is the story of Sean Paul's Get Busy - with newly unearthed audio from Sean Paul!

Written by Clayton Taylor for iHeartRadio Canada

What would you say is the greatest music video ever made?

Rolling Stone argues that it’s “Formation” by Beyoncé for its statement on black American history. Esquire says it’s “Weapon of Choice” by Fatboy Slim. You know the one where Christopher Walken dances and levitates? Sure, that’s fun.

The AV Club insists that it’s “Sledgehammer” by Peter Gabriel, which for years was revered for its groundbreaking stop-motion animation. All of those publications picked great videos, but they are also just flat out wrong. Because the answer to that question is easily and without a doubt “Sabotage” by Beastie Boys. Yes it’s incredibly goofy and sure, it might seem insignificant compared to something like “Formation,” but it’s “Sabotage”! By Beastie Boys!

But “Sabotage” isn’t just a music video. It’s also a total banger that still feels fresh and relevant after 30 years. It helped influence the rap-rock revolution of the late ‘90s, it provided countless memorable moments in film and television, and it brought the Beastie Boys back into the mainstream after they nearly sabotaged their own careers in the late 1980s. See what I did there?

This is the story of Beastie Boys' Sabotage, with newly unearthed footage from the band themselves.

The Strokes… Music’s coolest ‘The’ Band of the early 21st century.

Along with Sweden’s The Hives, Australia’s The Vines, and Detroit’s The White Stripes - The Strokes almost certainly had no intention of getting looped into the phenomenon of wispy haired indie rock bands that all seemed to break out between the summers of 2001 and 2002; because - if we’re being honest - they didn’t exactly have what you might call an indie origin story.

Formed in New York City in as early as 1997 by Frontman Julian Casablancas, Guitarist Nick Valensi and Drummer Fabrizio Moretti at the illustrious Dwight Private School (which lists Truman Capote and Paris Hilton as Alumni) the trio would quickly recruit friend Nikolai Fraiture to play bass with them, as well as Guitarist Albert Hammond Jr. in ‘98. Hammond Jr. had just relocated to New York from Los Angeles by way of Switzerland, where he was childhood friends with Julian Casablancas - at - you guessed it - an even more illustrious Private Boarding School.

Within less than 3 years, The Strokes would completely re-define what it would mean to be a trendy modern rock band - and they did it mostly on the back of this hit single; This is the story of The Strokes Last Nite, with newly unearthed audio from the band!