In this episode, we dive into Ursula K. Le Guin’s haunting short story The Ones Who Walk Away from Omelas, a philosophical parable that poses a chilling moral dilemma: would you accept a perfect society if its happiness depended on the suffering of a single child? We unpack the story’s allegorical power, exploring themes of utilitarianism, complicity, scapegoating, and moral courage. Why do some stay? And why do others walk away? Join us as we confront the uncomfortable questions Omelas asks—and what our answers say about us.

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This week on Dystopedia we unpack White Bear, one of Black Mirror’s most disturbing episodes. At its core, it asks uncomfortable questions: Do we mistake revenge for justice? Why are we so fascinated by punishment and true crime? And what does it say about us when cruelty becomes entertainment?

We break down the illusion of justice, the disproportionate nature of punishment, and the uncomfortable pleasure audiences take in watching others suffer.

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In this episode, we dive into Demolition Man — the 90s cult classic where dystopia wears spandex and punches through walls. Behind the explosions, one-liners, and Taco Bell or Pizza Hut supremacy lies a surprisingly sharp critique of sanitized society, state control, and the cost of peace through conformity. We unpack how this B-grade action flick satirizes political correctness, surveillance culture, and the erasure of individual freedom — all while Stallone and Snipes chew the scenery like it's freeze-dried steak. Is Demolition Man a dumb movie with smart ideas, or a smart movie pretending to be dumb? Tune in as we crack open the cryo-pod and find out.

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