On this week’s artificial episode of Dear Movies, I Love You, Millie is introduced to the AI version of Casey, which she prefers over the real Casey. Afterwards, the real Casey and Millie discuss the work of Spike Jonze, AI’s place in human romance, and the masterpiece, HER (2013).

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On this week’s cold episode of Dear Movies, I Love You, Millie and Casey discuss the films of John Carpenter and his masterpiece, THE THING (1982). Plus, the wonderful Lucé Tomlin-Brenner joins the hosts for “My Area of Expertise” to discuss movies that include “Women driven to madness by an unkind or apathetic society.”

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On this week’s apologetic episode of Dear Movies, I Love You, in honor of Black History Month, Millie and Casey discuss the recent classic, SORRY TO BOTHER YOU (2018). Plus, the hosts comb through some wonderful email questions, including, “What is your perspective on finishing a movie even if you're not feeling it?”

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On this week’s manly episode of Dear Movies, I Love You, in honor of the Super Bowl, Millie and Casey discuss the pigskin classic, THE LONGEST YARD (1974). Millie gives an impassioned declaration of love for the great Burt Reynolds. Plus, the hosts answer a slew of voicemail questions.

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On this week’s killer episode of Dear Movies, I Love You, Millie and Casey discuss the brand new Park Chan-wook movie, NO OTHER CHOICE (2025). Plus, they’re joined by Morgan Evans, the fantastic writer/ director of the new mockumentary, MICRO BUDGET. He's on the show to talk about his “area of expertise,” Linda Fiorentino and THE LAST SEDUCTION (1994).

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On this week’s interdimensional episode of Dear Movies, I Love You, Millie and Casey go back in time to talk about the cult classic, DONNIE DARKO: DIRECTOR'S CUT (2004). Plus, another installment of ‘Gripes, Gropes, and ‘Grets’ which includes a certified grope (with permission) of the actor John Carroll Lynch.

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On this week’s steamy episode of Dear Movies, I Love You, Millie and Casey try to get their proverbial groove back by discussing the 1998 classic, How Stella Got Her Groove Back. They also dissect the concept of “referential films” (ie, movies whose titles become a shorthand for a concept). Plus, the screenwriter Chris Thomas Devlin (Cobweb, Texas Chainsaw Massacre) joins the show to talk about his “Area of Expertise” - Fake movies in movies.

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On this week’s depressing episode of Dear Movies, I Love You, Millie and Casey celebrate “Bleak Week” by watching one of the darkest war movies of all time, COME AND SEE (1985). To add to the fun, Millie constructs a game similar to Mad Libs called “Sad Libs,” where she and Casey try to assemble the trailer for the saddest movie of all time.

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