“Heated Rivalry,” a low-budget Canadian series that began streaming on HBO Max late last year, quickly made the leap from unexpected word-of-mouth success to full-blown cultural phenomenon. The show, which follows a pair of professional hockey players who fall for each other, has been name-checked by everyone from the N.H.L. commissioner to Zohran Mamdani; its two young leads, Hudson Williams and Connor Storrie, just served as Olympic torch-bearers. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz unpack “Heated Rivalry” ’s appeal, considering its embrace of earnestness and its place in a broader lineage of stories about gay love. The way the protagonists are forced to hide their relationship recalls dramas set in earlier eras, from E. M. Forster’s “Maurice” to Annie Proulx’s “Brokeback Mountain”—but the function of the closet in art is ever-evolving. The hosts also discuss “Pillion,” a new film starring Alexander Skarsgård and Harry Melling, which features parents who are supportive of their son’s gayness but in the dark about his life as a sub. “It’s interesting, these contemporary stories where gay relationships are, in the larger culture, totally accepted—and that there are sort of closets within closets,” Cunningham says. “There’s a deeper place that others cannot go.”

See Critics at Large live: the hosts will be discussing “Wuthering Heights” onstage at the 92nd Street Y on February 19th. Both in-person and streaming tickets are available. Buy now »

Read, watch, and listen with the critics:

“Heated Rivalry” (2025–)
“Pillion” (2026)
Elena Ferrante’s Neapolitan Novels
Esther Perel’s response to “Heated Rivalry”
The novels of Sally Rooney
“The Delicious Anticipation–and, Yes, Release—of ‘Heated Rivalry,’ ” by Naomi Fry (The New Yorker)
“Maurice,” by E. M. Forster
“Brokeback Mountain” (2005)
“The Price of Salt,” by Patricia Highsmith
“Carol” (2015)
“My Own Private Idaho” (1991)
“The Swimming-Pool Library,” by Alan Hollinghurst
“The Loves of My Life,” by Edmund White
“I Love L.A.” (2025–)

New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.

Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture.

Vinson Cunningham, Naomi Fry, and Alexandra Schwartz celebrate the one-hundredth episode of Critics at Large with a special installment of the podcast’s advice series. Together, they counsel callers on everything from turning non-readers into bibliophiles to the art of curating the ideal road-trip playlist. They’re joined by David Remnick, the editor of The New Yorker, who shares some cultural dilemmas of his own. Finally, the hosts turn the tables and ask for guidance from their listeners.

Read, watch, and listen with the critics:

Billie Holiday’s “Body and Soul”
Bob Dylan’s “Blonde on Blonde”
Joni Mitchell’s “Blue”
The music of Laufey
“I Regret Almost Everything,” by Keith McNally
“The Palm House,” by Gwendoline Riley
“Task” (2025—)
“Die, My Love” (2025)
“Carol” (2015)
“The Price of Salt,” by Patricia Highsmith
“Surface Matters,” by Naomi Fry (The New Republic)
Geese’s “Getting Killed”
“What Went Wrong”
Richard Linklater’s “Before” trilogy
“The Ambassadors,” by Henry James
“Marty Supreme” (2025)
“Why Football Matters” (The New Yorker)

New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.

Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture.

Someone looking to understand America might do well to study the nation’s embrace of football. N.F.L. games regularly outperform anything else on television, and, in 2025, some hundred and twenty-seven million viewers tuned into the Super Bowl—more than ever before. As this year’s championship approaches, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz are joined by their fellow New Yorker writer Louisa Thomas to unpack the sport’s allure, which has persisted despite increasingly dire evidence of the danger it poses to players’ health. Together, they discuss football’s origins as a “war game,” how fictional depictions have contributed to its mythos, and the state of play today. “A very compelling reason for football’s popularity is that it's not only a simulation of war,” Thomas says. “It’s a simulation of community.”

Read, watch, and listen with the critics:

“Friday Night Lights” (2006–11)
“The West Wing” (1999–2006)
“Football,” by Chuck Klosterman
“The End of the NFL’s Concussion Crisis,” by Reeves Wiedeman (New York magazine)

New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.

Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture.