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Club Fusion by Party Favorz

Club Fusion by Party Favorz

By: Party Favorz
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 Party Favorz Club Fusion: Non-stop Dance-Pop, Tech House, Techno, and Bass House mixes. Fusing commercial and underground dance music for parties.© 2025 Party Favorz®. All rights reserved. Music
Episodes
  • Jingle Electric 2025: The Hottest Dance Club Songs of the Holiday Season [Fixed]

    Jingle Electric 2025: The Hottest Dance Club Songs of the Holiday Season [Fixed]
    Dec 6 2025
    This episode has been tightened up with a volume fix on “Have You Ever Loved” by Hannah Laing & Hannah Boleyn, a smoother transition into “Bring Me To Life” by Tiësto & FORS, the removal of “Bullshit” for better flow, and a bass adjustment on “Good Luck” by James Hype feat. Pia Mia to clean up the drop. Estimated reading time: 7 minutes 🎄 Party Favorz Jingle Electric 2025 Ignites the Holiday Season Party Favorz is back with our annual Jingle Electric 2025, and this year’s edition hits harder than ever. This isn’t background music for trimming the tree. This is peak-hour energy designed for packed dance floors, flashing strobes, and full-tilt holiday release. From the opening beat to the final mix-out, the momentum never lets go. What makes Jingle Electric 2025 so effective is its constant motion. Bass House melts into Hard Dance. Techno surges into Trance. Melodic House glides into Tech House. Then Dance Pop rises up just long enough to reset the room. About every fourth or fifth track, the direction shifts. That pacing keeps the set fresh and unpredictable while locking listeners into the journey. 🔥 Current Club Weapons Driving the Set This year’s mix is stacked with brand-new heat already shaping the club landscape. Tiësto & FORS’ “Bring Me to Life” stands out as a full-circle moment for a Trance legend who helped build the foundation and still commands the present. The energy is classic Tiësto, updated for today’s floors. https://www.youtube.com/watch?v=RTz6E3gL_Ac Odd Mob’s “Coming Up” reflects the duo’s massive year in clubs and festivals alike. Their bass-driven bounce fits perfectly into the heavier stretches of the set. James Hype’s “Behavior” continues his relentless streak of high-octane productions. The man simply doesn’t miss. One of the biggest crowd-shifting moments comes from Britney Spears’ “I Wanna Go,” reborn through John Summit’s modern Club Fusion lens. Originally released during Britney’s early 2010s resurgence, the song always leaned electro-pop. Summit transforms it into a proper peak-hour weapon without losing its playful attitude. Alesso & Sacha’s “Destiny” brings melodic tension and emotional lift. It’s classic Alesso—big, anthemic, and instantly recognizable. “Mitsubishi” by Gorgon City & Muki adds a darker, hypnotic layer into the mix that keeps the energy grounded and driving forward. Then comes the early-millennial surprise hit all over again. MGMT’s “Kids,” reworked by Fezzo, explodes with new life for a new generation while still honoring the original’s infectious melody. It’s one of those rare flips that bridges indie nostalgia and full-throttle club energy. 🕺 Millennium Classics Recharged for 2025 One of the defining traits of Jingle Electric 2025 is how confidently it blends the brand-new with the deeply familiar. Several early-2000s anthems return in updated form without sacrificing their identity. ATB’s “9PM (Til I Come)” still carries that unmistakable late-night Trance DNA that once dominated radio and underground alike. Eric Prydz’s “Call On Me” remains a lesson in how minimal repetition can still dominate a dance floor. Meanwhile, Oliver Heldens puts a pumped-up spin on “Lady (Hear Me Tonight)” by Modjo, sharpening the groove into a modern festival-ready burner while preserving the original’s silky swagger. Progressive Edition 2008 | Pt. 1, 2 & 3 Top Dance Songs of the Holiday Season! — Jingle Electric 2022 Jingle Electric 2015 pt. 2 | MASSIVE EDM BANGERS! Jingle Electric 2016 Volume 2 Jingle Electric 2017 Volume 1 💔 Kaskade Delivers Two Powerful Moments from Undux One of the most talked-about segments in Jingle Electric 2025 belongs to Kaskade, who delivers not one, but two standout singles from his forthcoming album undux. His rework of Bonnie Raitt’s “I Can’t Make You Love Me” is nothing short of fearless. The original ballad is built on restraint, heartbreak, and understated phrasing—qualities that rarely translate into peak-hour club tracks. Yet Kaskade somehow preserves the ache while lifting the song into a full-scale hands-in-the-air anthem. The uncredited vocal performance adds intimacy and mystery, making it one of the most emotional moments in the entire set. https://www.youtube.com/watch?v=r3IukmPJ2qo On the other side of the emotional spectrum sits “DNCR.” This track is pure late-night propulsion. It’s rhythmic, addictively smooth, and designed for release after hours. Together, these two records showcase the wide creative range Kaskade is tapping into on undux—from deep emotional storytelling to undeniable dancefloor drive. 💿 Rose Gray’s “Wet & Wild” Is the Breakout Bop If one song defines the playful side of this mix right now, it’s Rose Gray’s “Wet & Wild.” This is Funky House colliding with Future House in the best way possible. The hook sticks immediately and refuses to leave your head. https://...
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    2 hrs and 49 mins
  • HW25: Blood On the Dancefloor

    HW25: Blood On the Dancefloor
    Oct 11 2025
    After skipping last year, Party Favorz brings back the HW series — and this one hits hard. Featuring the latest Future House, Tech House, Techno, Bass House, and NuDisco tracks tearing up dancefloors right now, HW25 isn’t just another Halloween mix — it’s a full-on experience. We’ve always resisted overloading our Halloween sets with gimmicky effects, but this year we decided to throw the rulebook out the window. While we didn’t saturate the mix with cheesy sound effects that distract from the music, we did craft a sinister custom intro that slides straight into the Bingo Players’ mashup of “Rattle” and the “Halloween” movie theme. From there, it’s a dark, pulsating ride through modern reworks of classic horror themes and songs tied to the ghoulish festivities that define the season — all perfectly blended to keep the music front and center where it belongs. This set leans into the darker, heavier edge of the night — because let’s face it, Halloween calls for a little menace. But it’s not all shadows and chills. We threw in some brighter, high-energy moments too, like a bootleg remix of Lady Gaga’s “The Dead Dance,” which stays true to the original while dialing up the heat. Other standouts include: SIDEPIECE’s fresh take on the millennial classic “Cry for You” by September. “Diamonds, Baby” by DancingFaraz, a hidden gem flying under just about everyone’s radar. “Yes Baby” by Madison Beer, because no Party Favorz mix is complete without a pop-driven punch. “My Gusta” by Eli Brown & GreeLy, another underrated cut that deserves serious club play. Don Diablo’s shimmering rework of Fleetwood Mac’s “Little Lies,” which is doing well on dance radio but criminally underappreciated elsewhere. And the hauntingly beautiful “Ishq Hai (This Is Love)” by Anurag Saikia, Armin van Buuren & Craig David, blending East-meets-West rhythms that should be charting — but inexplicably aren’t. https://www.youtube.com/watch?v=0onVF7Odcdc Then there’s the mysterious one: “Deep End” by BKAYE — a track that showed up in my promos with no info, no sender, and no clue where it came from. After scouring my Gmail, Beatport, and ZipDJ accounts, I finally traced a hint of it back to a SoundCloud promo email — long since deleted from their platform. When I reached out to BKAYE, he confirmed it was his track but admitted he didn’t send it. Still, he gave me his blessing to use it. The vocalist remains a mystery, but one thing’s for sure: this track is absolute fire. I’ve had it on repeat in my car and headphones for weeks. Do yourself a favor — follow BKAYE on Spotify and Apple Music. When “Deep End” officially drops, it should go straight to your playlists. To round out the set, we threw in several bootlegs and mashups to keep things unpredictable. A particular favorite is the BARTS remix of “Which One” by Drake and Central Cee. It’s addictive — the kind of track that burrows into your brain and refuses to leave. We’re already deep into production on our next Funky House Sessions, and it’s shaping up to be pure Funktastical Disco Heaven for all you House and Disco heads out there. Until the next time...ENJOY! Album: HW25Genre: Future House, Bass House, Tech House, Techno, NuDiscoYear: 2025Total Time: 02:51:07 Halloween Intro Bingo Players - Rattle (Halloween Theme Edit) CID x Taylr Renee - Fancy $hit (Extended Mix) BKAYE - Deep End (Extended Mix) Empire Of The Sun - Walking On A Dream (BLONDISH Extended Remix) Eurythmics - Sweet Dreams (Holderz 2016 Remix) John Summit feat. Inéz - crystallized Extended Mix) Juos feat. Techno Tupac - Side Man (Extended Mix) DIEGO SAN DIEGO x Alec Monopoly - Tequila (Extended Mix) bradeazy feat. TyriqueOrDIe - Up Down (Extended Mix) Pickle - Tipsy (Extended Mix) The Prodigy - Breathe (HUMAN404 Remix) David Guetta, Kiko & Olivier Giacomotto feat. FAANGS - After You (Extended Mix) Swedish House Mafia - Wait So Long (Agents Of Time Remix) ...
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    2 hrs and 51 mins
  • Summer Heat Volume 2: The Summer’s HOTTEST Club Bangers [Updated]

    Summer Heat Volume 2: The Summer’s HOTTEST Club Bangers [Updated]
    Aug 29 2025
    This episode has been updated: Bass was added to the Ozzy Osbourne tribute "Crazy Train" and the transition for TOMAZO - Turn On The Lights x Dont Stop The Music x The Blaze (Tomazo Mashup) was shortened. One thing oddly missing from this year’s summer soundtrack is the elusive “Song of the Summer.” Every year, there’s usually one track—whether pop, hip hop, dance, or even a left-field sleeper—that dominates airwaves and burrows into our brains. This summer? Not so much. Last year, Sabrina Carpenter’s Espresso filled that role perfectly, becoming the go-to anthem from beach parties to TikTok reels. Her label clearly hoped Manchild would repeat the success, but while catchy, it never caught fire in quite the same way. Even with an impressive batch of bootleg remixes (some of them excellent), it didn’t fit the overall mood of this mix and was subsequently dropped. How We’re Consuming Dance Music in 2025 As I’ve mentioned before, people aren’t just relying on traditional radio anymore. Music discovery is happening everywhere—Spotify, Apple Music, YouTube, TikTok, and countless other platforms. For the current generation, the club scene feels fractured, with most of the real momentum happening at massive EDM festivals. Having moved to the suburbs and living in a dry county, I’m admittedly far removed from it these days, but even from a distance it’s clear the club culture isn’t what it once was. Dance music itself isn’t dead—it’s just shifting in how people experience it. Diversity Defines Summer Heat One thing that stands out across our Summer Heat 2025 mixes is the sheer variety. Unlike years past when a couple of styles dominated, the sound is now wide open. That diversity raises the difficulty factor when building seamless sets. Take Afro House, for example. It had its hot minute, but it’s better suited for chill sets than high-energy dance floors. Transitioning from 120 BPM to 128 BPM can feel clunky without chopping tracks, and we’ve never been about jarring cuts just to get from one song to the next. Party Favorz is all about creating a musical journey, where each transition feels intentional. We may not hit perfection every time, but we get pretty damn close. What You’ll Hear in Volume 2 Volume 2 is packed with the latest summer dance songs, club anthems, and fresh remixes that define the season. Alongside those are perennial dance classics resurrected through mashups and bootlegs—the kind of surprises long-time listeners expect from this series. I do want to clear something up, though. The opener, Heartbreak Melody by Alan Walker and FAANGS, has been making waves on TikTok, with one viral video calling it an “80s classic.” Let’s get this straight: it’s not from the 80s. The track samples Be My Lover by La Bouche, a massive 90s Eurodance anthem. That song didn’t just dominate clubs—it crossed over to mainstream radio, paving the way for an entire wave of Eurodance acts. Here at Party Favorz, we even dedicated an entire series to 90s Eurodance, celebrating every bit of its cheesy, hands-in-the-air glory. Walker and FAANGS deserve credit—they’ve reimagined the track with new lyrics while keeping the essence of the original. But mislabeling it as an 80s song? That’s just lazy research. https://www.youtube.com/watch?v=ViP87WipSm0 https://www.youtube.com/watch?v=MGzoz2UlDek Looking Ahead This mix acts as a bit of a reset as we transition into fall—something that seems to be arriving earlier than usual here. Coming up in the next few weeks, Party Favorz will wrap up the final two editions of BackSpin, covering some of the biggest club songs from 2011–2012. After that, we’ll drop our only Chill Out set of the year, plus a few updated entries in the Diva Hall of Fame. On a personal note, I’ll also keep everyone updated on the saga of my shin infection (yes, looks like that one’s sticking around into next year). Until the next time...ENJOY!
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    3 hrs and 1 min
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