This week on Celluloid Psychosis, TJ and Paul are back with a jam-packed episode, diving deep into the latest physical media releases and offering their thoughts on some of the most exciting titles from the world of boutique labels. They kick things off with a roundup from Vinegar Syndrome, featuring Forgotten Gialli Volume 8 and cult classics like Rings of Fear (1978) and Devil Fetus (1983). Plus, there’s Brimstone & Treacle (1982) in 4K and more strange gems like Reflections in Black (1975) and AAA Masseuse Good Looking Offers Her Services (1975).

The hosts also explore new releases from AGFA, such as The AGFA Mystery Mixtape Vault and The Belly of an Architect (1987), alongside fresh films from Film Movement like Saint Narcisse (2020) and Mother Couch (2023). Other highlights include Cannibal Girls (1973) from Cinephobia Releasing, the upcoming Sweet Dreams (2023) from Dekanalog, and The Films of North American Pictures (2024) from ETR Media.

Not to mention the latest from Kino Lorber, including Kingpin (1996) and Vice Squad (1982) in 4K, plus more titles from 88 Films like Come Drink with Me (1966) in 4K and Seven Deaths in the Cats Eye (1973). And don’t miss out on The Last Shark (1981) from Film Treasures UK, or Presence (2024) in 4K from Neon Rated.

But it’s not all about physical media—TJ and Paul also discuss the latest movie news, including the Oscars, where Anora took home five awards, and the passing of Gene Hackman. They also preview upcoming films hitting theaters, like Mickey 17, Dog Man, and Mufasa: The Lion King, plus the latest trailers for Bondsman and The Monkey.

Finally, the hosts give their recommendations of the week: TJ’s pick, Mike Mignola: Drawing Monsters (Amazon Prime), and Paul’s pick, Tales from the Lodge (2019), available on Amazon Prime and Tubi.

Next week’s episode is a must-listen as TJ and Paul take on the Italian zombie classic Burial Ground (1981)!

This week on Celluloid Psychosis, TJ and Paul take on the 2019 crime-horror-comedy Butt Boy, directed by Tyler Cornack. In this outrageous and bizarre story, Chip Gutchell (Cornack), a mild-mannered IT guy, undergoes a routine prostate exam that awakens an uncontrollable compulsion to shove objects up his butt. What begins as a strange habit quickly escalates into a disturbing obsession, involving everything from household items to pets, children, and even adults.

As people begin mysteriously vanishing, Detective Russell B. Fox (Tyler Rice), a hard-drinking investigator, starts to unravel the twisted trail of disappearances. What follows is a dark and absurd game of cat-and-mouse that pushes the boundaries of crime, obsession, and the human body to uncomfortable extremes.

Tune in as TJ and Paul dive deep into the shocking premise, the film’s bold blend of crime thriller and dark comedy, and the performances that bring this bizarre tale to life. They'll discuss why Butt Boy’s absurdity and unsettling nature make it a memorable, if controversial, cult film, and explore how it manages to balance horror, humor, and the most bizarre obsession imaginable.

This week on Celluloid Psychosis, TJ and Paul are back with another deep dive into the world of physical media, unpacking the latest releases and exciting additions from some of the best boutique labels in the game. From Vinegar Syndrome to Kino Lorber, 88 Films to Criterion Collection, the hosts cover it all, including some classic titles like A Clockwork Orange (1972) and Full Metal Jacket (1986) in 4K, as well as lesser-known gems like Shut Up, I Love You! (1980) and Seedpeople (1992).

They also dive into exciting new releases from Third Window Films, such as Shark Skin Man & Peach Hip Girl (1998), and take a closer look at upcoming titles like The Seed of the Sacred Fig (2024) from Decal Releasing. But that's not all—TJ and Paul also discuss some exciting Blu-ray collections like FANTÔMAS (Masters of Cinema), Les Vampires (Masters of Cinema), and Judex (Masters of Cinema), plus rare gems like Deadbeat at Dawn (1988) from 84 Entertainment and the House of Psychotic Women collection from Severin Films.

In addition, the hosts break down the latest movie news, including the announcement of new releases like The Monkey and Heart Eyes, as well as the passing of Anthony Dileo Jr. They also discuss Conclave’s wins at the BAFTAs and recommend some must-watch films, including TJ's pick, Path to War (2002), and Paul's pick, Heretic (2024).

Tune in for all this and more in this jam-packed episode of Celluloid Psychosis! Plus, next week’s episode is one you won’t want to miss: the absurd and hilarious Butt Boy (2019)!

This week on Celluloid Psychosis, TJ and Paul take on the 1981 exploitation film Mad Foxes, directed by Paul Grau. Known for his work on Caged Women and Six Swedish Girls in the Alps, Grau brings a violent, gritty tale of revenge and vengeance to the screen. The film follows Hal (Jose Gras) and his girlfriend Silvia (Laura Premica), who find themselves targeted by a group of Neo-Nazi bikers after Hal accidentally causes one of them to die in a collision. What starts as a tragic accident quickly spirals into a relentless cycle of violence as the bikers seek revenge, dragging Hal and his friends into a brutal confrontation.

The hosts dive deep into the film's unapologetically over-the-top exploitation elements, its portrayal of revenge, and the outlandish characters that fuel its chaotic plot. They also discuss standout performances from the cast, including Andrea Albani as the rebellious Babsy, and the unsettling intensity of the biker gang led by Peter Saunders as the Rocker Leader.

Tune in as TJ and Paul explore Mad Foxes’ unapologetic mix of exploitation, horror, and revenge drama, and debate its place in the world of cult cinema. They'll also take a look at its themes of violence, revenge, and how the film's unique combination of shock and exploitation fits into the 80s grindhouse movement.

This week on Celluloid Psychosis, TJ and Paul are back with an exhilarating new episode that dives deep into the latest physical media releases and the exciting world of boutique labels. They kick things off with a roundup of Vinegar Syndrome's offerings, including The Possession of Joel Delaney (1972), The Carpenter (1988), and the outrageous White Cannibal Queen (1980). Plus, don't miss out on Vinegar Syndrome Labs’ The Mansion of Madness (1972) and a bevy of other cinematic treasures.

The hosts also discuss upcoming gems from a variety of labels: Female Perversions (1996) from Cinématographe, Scarred Hearts and Uppercase Print (2016/2020) from Big World Pictures, and Thunder (2022) from Dekanalog. Film Movement keeps things fresh with Her Body (2023) and Mapantsula (1988), while ETR Media delivers more cult classics with Deadly Obsession and The Crown Jewel of Indonesia.

Plus, there's no shortage of genre-defining titles in the mix, including Mad Foxes (1981) in 4K from Cauldron Films, Trancers (1985) in 4K from 88 Films, and Suddenly in the Dark (1981) from Terror Vision. And fans of martial arts will love Shout Factory’s Fist of Legend (1994) and Tai Chi Master (1993).

The episode also features some thrilling news from Now in Theaters with titles like Bridget Jones: Mad About the Boy, Captain America: Brave New World, and The Monkey, plus exciting new trailers like Final Destination: Bloodlines and Megan 2.0.

For the Recommendation of the Week, TJ recommends the moving TV movie All the Way (2016), while Paul digs deep into Requiem for a Dream (2000), a film that still packs an emotional punch.

Next week, TJ and Paul are going wild with Mad Foxes (1981)—a film that’s bound to get them talking about its gritty and outlandish nature. Don't miss it!

This week on Celluloid Psychosis, TJ and Paul explore the 1993 crime thriller Donato & Daughter (also known as Dead to Rights), directed by Rod Holcomb. The film stars Charles Bronson as Mike Donato, a seasoned cop with a troubled past, and Dana Delaney as his estranged daughter Dalena, who also works in law enforcement. When a serial killer begins targeting nuns, the estranged father and daughter must put aside their differences and team up to stop the madman terrorizing their city.

The hosts dig into the tense dynamic between the central characters, focusing on the emotional complexity of a father and daughter with a fractured relationship, forced to reconnect in the face of danger. They also highlight the stellar supporting cast, including Xander Berkeley, Jenette Goldstein, and Marc Alaimo, who bring their own depth to the crime thriller.

Tune in as TJ and Paul discuss the film's unique blend of family drama and police procedural, Charles Bronson’s commanding performance, and how Donato & Daughter offers a distinct take on the classic crime genre. They’ll also dive into its overlooked legacy, how it fits into the 90s action landscape, and why this underappreciated gem deserves a second look.

On this week’s episode of Celluloid Psychosis, TJ and Paul dive into an emotional and content-packed discussion. They kick things off with a lively Physical Media Round-Up, featuring releases like Timecop (1994) in 4K UHD, Sorority House Massacre Collector’s Edition, and Thai horror classics from Umbrella. Highlights include Criterion’s 4K of Some Like It Hot and Vinegar Syndrome’s Igor and the Lunatics (1985).

In Now in Theaters, the duo discusses new releases, including Wolfman, Nosferatu, and The Brutalist. But the real buzz? A fresh wave of excitement for Gremlins 3 and updates on the Toxic Avenger reboot.

The heart of the episode is a heartfelt tribute to David Lynch, who recently passed away at 78. TJ and Paul reflect on his monumental impact on cinema, sharing their introductions to his work and personal top-five Lynch projects. Expect deep dives into Blue Velvet, Wild at Heart, and the iconic Twin Peaks.

Next week, the guys revisit the gritty world of TV movies with Donato and Daughter (1993).

This week on Celluloid Psychosis, TJ and Paul take a deep dive into the British crime comedy Love, Honour & Obey (2000). This cult favorite blends dark humor with gritty mob drama as Jonny, a disillusioned postman, schemes his way into a powerful London crime syndicate led by Ray Winstone and Jude Law.

The hosts explore the film's unique use of improvisation, its sharp wit, and the standout performances from its ensemble cast, including Kathy Burke, Rhys Ifans, and Sadie Frost. They also discuss how the movie balances its irreverent humor with moments of shocking violence, carving out a distinctive niche in the gangster genre.

Tune in as TJ and Paul debate the film's legacy, its satirical take on organized crime, and its place in the pantheon of British cinema.