After years of campaigning for votes for women, the Suffragettes emerge at the turn of the 20th Century. Their motto, 'Deeds Not Words', heralds the start of more radical actions, including fire bombing, civil disobedience and hunger strikes. Emily Davison is a passionate rebel, but she pushes at the limits of what her allies find acceptable. History remembers Emily for her final act, but have we got everything about the story right?

WARNING: This episode discusses death by suicide. If you are suffering emotional distress or having suicidal thoughts, support is available - for example, from the 988 Suicide & Crisis Lifeline in the US, or the Samaritans in the UK on 116 123

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In 1998, an art gallery gets a mysterious phone call. The caller claims they have been fooled by a master forger and that many of their prized paintings are fakes. Or are they?

This is the story of the life and lies of the notorious Eric Hebborn. What did he do, and what does that teach us about how we can root out deepfakes without undermining our trust in reality?

For a full list of sources, see the show notes at timharford.com

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In 1960, FDA scientist Frances Oldham Kelsey is tasked with approving an application for a mild sedative to be sold in America. The drug is popular across Europe and is touted to be free of side effects, so this should be a routine job. But something doesn't sit right with Frances and she starts digging for evidence to support her suspicions. As the pharmaceutical company pushes for speedy approval, Frances discovers the drug's devastating impact. Katie Hafner, host of The Lost Women of Science podcast, joins Tim to explain why America should remember the woman who kept Thalidomide off the market.

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In 1923, legendary navigator Captain Dolly Hunter led a squadron of warships into America’s worst peacetime naval catastrophe. The mission was supposed to be a speed trial, a display of the squadron’s skill. But it ended in a maritime pile-up, with some destroyers stranded on rocks, others sinking fast, and deadly oil leaking into the Pacific Ocean. How?

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Dore Strauch and Friedrich Ritter make an unconventional couple, united by their contempt for shoes, root vegetables and, above all, society. In 1929 they leave Germany and begin anew on the deserted Galapagos island of Floreana. At first, it feels like a paradise, but soon cracks begin to show. Parasitic fleas, bombastic interlopers, and buried tensions turn their escape into a nightmare. Can they learn to thrive away from civilisation, or will Floreana claim more than their dreams?

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William McGonagall's poems are something else. The jarring meter, the banal imagery, the awkward rhymes: they made him a laughing stock in 19th Century Scotland and are still derided to this day. How does someone get that bad at poetry? Or have we been misunderstanding McGonagall all along?

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In the early 90s, cutting-edge advertising agency Chiat/Day announced a radical plan, aimed at giving the company a jolt of creative renewal. They would sweep away corner offices and cubicles and replace them with zany open spaces, as well as innovative portable computers and phones. A brand new era of “hot-desking” had arrived.

Problems quickly began. Disgruntled employees found themselves hauling temperamental, clunky laptops and armfuls of paperwork all over the office; some even had to use the trunks of their cars as filing cabinets. Soon, the unhappy nomads had had enough.

Bad execution was to blame for the failure of this “playful” workspace. But Chiat/Day had made another mistake here, too – one that was more serious, more fundamental and altogether more common.

For a full list of sources for this episode, go to timharford.com.

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