Catherine Raynes: The Model Murder and The Ending Writes Itself cover art

Catherine Raynes: The Model Murder and The Ending Writes Itself

Catherine Raynes: The Model Murder and The Ending Writes Itself

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The Model Murder by Amanda Hampson

Never underestimate a tea lady.

Sydney, 1968. When a popular local man is murdered, police are quick to pin the blame on his glamorous model fiancée, who has since disappeared. But Hazel suspects a criminal cover-up and rallies the tea ladies to investigate; a quest that brings danger right to her door.

Meanwhile, Merl’s long-buried family secret threatens to unravel her carefully constructed life. When she stumbles on evidence that her detective son-in-law is corrupt, she’s forced to swallow her pride and reunite with the other tea ladies, enlisting their help to expose him.

Betty becomes immersed in a local theatre group where there is more drama offstage than on it, further complicated by her infatuation with the enigmatic leading man. Irene aspires to a new career as a debt collector but her first case has more frustrations and obstacles than she bargained for, even with the help of a new weapon.

The Ending Writes Itself by Evelyn Clarke

Six authors.

One private island.

Seventy-two hours to write the ending that will change their lives.

Arthur Fletch, one of the world’s bestselling novelists, is a reclusive genius known for his iconic protagonists and fiendish twists. When six struggling authors are invited to spend a weekend on his private Scottish island, they arrive to discover a shocking secret: Arthur Fletch is dead . . . and his last book is unfinished.

Desperate to publish the novel, Fletch’s agent and editor have summoned these writers in the hope that one of them will imagine a worthy ending for this final book. To sweeten the deal, they are offering an irresistible prize: in addition to ghost-writing the last chapter––for a mind-boggling sum––they will also help the lucky writer successfully re-launch their own career, guaranteeing future bestsellers. The catch: the writers have just seventy-two hours to finish Fletch’s magnum opus.

It’s the perfect plot. All it needs is a killer ending.

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