In this episode we take a trip to Italy for a look at Massimo Dellamano's 1972 giallo, What Have You Done To Solange? This Italian/German co-production was intended to capitalize on both the popularity of giallo in Italy and krimi in Germany, casting an array of English and German actors familiar to fans of krimi and Italian stars of the time for those who can't get enough giallo. A fairly grim entry into the canon, What Have You Done To Solange is a strong starting point for horror fans looking to go beyond the well-known giallo titles from Dario Argento and Mario Bava. We go over the history of giallo, the people who made it, and the economic conditions in Italy which led to its proliferation.

In the story, Enrico Rosseni, a horn-dog gymnastics coach comes under suspicion in a series of brutal murders. The victims are all schoolgirls from his team and to make matters worse, his teenage girlfriend, witnessed one of the murders. He'll team up with the police and his severe German wife to crack the code and discover the real murderer, their motive, and learn the identity of the mysterious Solange, who seems to be at the center of all this.

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This week we're taking a trip back to 1986 for a look at Jim Wynorski's sleazy switcheroo, Chopping Mall. With a poster meant to make you think you were getting some kind of slasher movie in a mall, Chopping Mall is pretty light on chopping but positively lousy with mall. Featuring a baffling plot that could reasonably support 30 minutes of running time, some cool killer robots, an appropriate amount of T&A for a Jim Wynorski movie, and some fun performances by Barbara Crampton and Kelli Maroney, Chopping Mall is a serious relic of 80's horror that wins some and loses some.

When a bunch of grown-ass adults meant to be passed of as teenagers plan an orgy at a shopping mall furniture store, everything is going great until the mall's security robots go nuts and start killing everyone in sight. They'll have to summon their wits to survive the night and wreck these killbots before they wreck them.

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This week we celebrate two years of 99 Cent Rental with one of the most enduring cult movies of the 80's. It's the breakdance epic from Cannon, Breakin' 2: Electric Boogaloo. When Cannon's million dollar dance movie pulled a huge profit in the summer of 1984, they rushed a sequel into production to capture the momentum and mere months later released Breakin' 2 with a bigger budget and a significantly smaller box office return. Breakdance fever was over but this outrageous, extremely colorful sequel stuck out in the cultural memory thanks to its ridiculous name and silly premise and we love it.

Months after Special K, Ozone, and Turbo proved to the stuffy world of white people dance competitions that breakdance is dancing too, Kelly returns to Venice to catch up with her friends and finds out that everyone in Venice is now hanging out at a community center called Miracles where they all learn to dance, box, and do mime stuff. Wouldn't you know it, though? Here come some white people with designs on tearing down the community center so it's up to the TKO Crew to rally the community to raise the money they need to save Miracles. They'll overcome all obstacles with the power of breakdance.

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Another year down, another year chock full of horror movies to talk about. The good, the bad, the okay: Sinners! Weapons! 28 Years Later! Bring Her Back! It was a year full of hits and misses. When the movies hit, they HIT. When they missed, they made us mad. Thankfully, there wasn't a single release that inspired true hatred in us as in years past. Where did your favorites end up on our list? What movies did we miss this year?

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This week we're joined by our friend Stacie Ponder from the legendary horror blog, Final Girl and podcasts, Final Girl After Dark and Gaylords of Darkness to finally tackle the Italian gore of Lucio Fulci and his magnum opus, The Beyond. Fulci really left it all on the dance floor with this one. With bits and pieces of a script from Italian screenplay machine, Dardano Sacchetti and unprecedented creative control, Fulci turned in a delirious fever dream of eyeball carnage, spider attacks, and zombie mayhem that cemented his place in the horror movie history books forever.

When Liza inherits an old hotel in Louisiana she could never have guessed that it lies on one of the seven dreaded doorways to hell. Aided by a mysterious blind woman who knows way more about these things than she ought to and a doctor who can't believe this crazy lady he's been seeing lately, they find out the awful truth about the hotel and reap the terrible consequences.

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This week we're doing David Lynch! We dissect his 2001 Hollywood nightmare, Mulholland Drive. David Lynch is one of our favorite filmmakers, period, and one of the greatest of all time and this may be his best movie. Originally conceived as a new television series for ABC, the network ultimately passed on it and Lynch was given the opportunity to repurpose the footage for a new feature.

This movie is about Betty, or maybe it's about Diane. Or hell! It may be about both of them. Are they same person? Perhaps. Following a terrible car accident, a mysterious woman finds her way into the life of Betty and together the two of them investigate the mystery of her amnesia. Someone was trying to kill her when she lost her memory. Who wants her dead? I guess we'll find out. Or maybe we won't. It's a David Lynch movie, after all. Everything goes apeshit in that typical David Lynch way and it turns out that this may have all been the fantasy of a deeply mentally ill woman named Diane Selwyn. Or maybe not. Who can say, really?

We break it down and subject it to our own interpretations and if you want to know what those are you'll have to listen to the episode.

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This week we're looking at Larry Cohen's bizarre sequel to Tobe Hooper's hit TV miniseries, Salem's Lot which was based on the novel by Stephen King. While the studio bent over backwards to convince video renters that this movie was also from the mind of Stephen King and also had that cool Kurt Barlow vampire, Cohen's movie bears very, very little in common with the original.

When anthropologist Joe Weber is called back to New York to deal with his delinquent son, he decides to reconnect with the kid by moving out to an old cottage he inherited from his aunt in Salem's Lot, Maine. When they arrive, however, they quickly learn that the town is haven to a race of vampires hiding in plain sight. They have plans for Joe and his son Jeremy and are desperately trying to maintain their ancient way of life.

Cohen set out to make a satire of American conservatism in the 80's with this movie but the end product doesn't quite stick the landing.

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This week we abandon our original idea to cover the utterly insane 1987 Karate Kid ripoff Karate Warrior with something with a little more meat on the bone, Tentacles. The 70's was an embarrassment of riches, and in many case just plain embarrassing when it came to the animal attack cash-grabs that arose from the titanic success of Jaws. This is one such movie, a unique twist on American International Pictures' typical process of working with foreign films. Rather than import some cheap Italian movies they hired Italian producer Ovidio Assonitis to make a movie here in America with an Italian crew and a star-studded cast of Oscar winners who couldn't say no to a fast paycheck and a little bit of that California sun.

Starring John Huston, Bo Hopkins, Henry Fonda, and more, this blatant Jaws ripoff treads water for 90 minutes, peppering its story with strange asides and bon mots, with characters who trot into each scene to ad-lib and keep their scene partners guessing until it comes time to take on the film's big bad villain, a giant octopus that can't keep its tentacles off anything that swims into its proximity. Is mankind to blame for its feeding frenzy? Maybe? Who can say, really? There's a rich industrialist whose underwater construction project may have something to do with it but this is AIP and it's asking way too much for anyone to answer any questions ever. Just go with it.

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