This week we dive headlong into one of the most baffling 80's video store hits, The Wraith, in which Charlie Sheen is a ghost or an alien or a ghost alien who gets revenge on the wily gang of Arizona cretins that murdered him by running them over with his magic ghost alien car.

The Wraith is a lot of things. Good is not one of them but it has a certain ineffable charm that makes it tremendously fun to watch in spite of its story being positively incidental to the rest of the movie. It casts the widest possible net to remind you of movies like Close Encounters of the Third Kind, Death Wish 3, and The Road Warrior. Do you like cool cars? Do you like explosions? Do you like aliens, ghosts, or ghost aliens? Are you willing to let slide about a dozen totally unresolved plot points and completely ignore the fact that this movie leaves you with more questions than answers? You will probably love The Wraith.

The soundtrack rules. Sheen seems completely unaware of the movie he's in. A pre-Twin Peaks Sherilyn Fenn is doing her best with what she has. Clint Howard gloriously answers our question: is it a wig? All this and more in our exhaustive breakdown of The Wraith from director Mike Marvin.

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This week we're joined by Mark Anastasio, program director for the Coolidge Corner Cinema in Boston to cash checks and bite necks with a look at Werner Herzog's ambitious remake of the FW Murnau's 1922 not-Dracula adaptation, Nosferatu. Mark has first-hand experience with Herzog, having hosted him at the theater numerous times and regales us with stories that we've never heard about the man before. He also does a pretty good Werner Herzog impression.

In this movie, Herzog is joined by his creative arch-frenemy Klaus Kinski in a unique existential twist on one of the genres most unimpeachable classics. Here, Count Dracula is bunched, broken old monster with no desire to live but no path toward death. He brings pestilence and horror from the old world to then-modern day Germany and meets his match with the one woman in the city with the knowledge and determination to destroy the beast.

Featuring Herzog's stunning visual storytelling and a few utterly bizarre performances, Nosferatu is unlike any horror movie you've ever seen in spite of it being a story told and retold dozens of times since the dawn of film.

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This week we're shaking off the despair of a nuclear war one-two punch and staying in the made-for-tv mode for something incredibly dumb. Where Threads and The Day After are significant television events, this week's movie is anything but. It's a baffling riff on both popular haunted house movies of the era and classic gothic horror but that's about as coherent as the vision gets. Everything that follows is an exhausting exercise in early 80's made-for-tv drivel.

Parker Stevenson, fresh off his run as Frank Hardy in the Hardy Boys Mysteries is joined by Lisa Eilbacher, Joan Bennet, and Slim Pickens for a stay at a far-too-modern for gothic horror house in southern California. Either the house itself, or the extremely sophisticated security system is in love with Eilbacher's character. We can't really figure it out. Ultimately it doesn't matter because the charm lies in precisely how artless and strange this movie is. Also, you get a few musical numbers.

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This week we dive back into the breach for another run at nuclear Armageddon with a look at the BBC's 1984 answer to The Day After, Threads. Where The Day After was a bleak movie about the end of the world as a result of nuclear it was still very much a movie. Director Mick Jackson provided an aggressive, bludgeoning alternative that gives it to you with both barrels, an unflinching look at precisely how bad nuclear war will be, backed by data. In this movie you get the specifics.

Threads tells the story of an escalating confrontation between the United States and the Soviet Union in Iran that leads to World War 3 and the way that it affects the people of Sheffield, England through the eyes of young Ruth Beckett. In short, it'll be very, very bad. We will all die like dogs and it'll be painful and humiliating all the way to the end.

Though not a conventional horror movie, Threads is very much appropriate for the genre.

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Tonight! On a very special 99 Cent Rental we take a trip back to 1983 to take in the movie that shocked the 100 million Americans that watched in horror as the world ended in a nuclear fireball before their very eyes. As the 80's ground on and The United States and The Soviet Union were running out of puppet governments and proxy wars to fight the status of nuclear war became less a matter of if and more a matter of when. The ABC network sought to send a sobering message to the people of America who had been convinced that we could win a nuclear war by delivering an uncompromising made-for-TV epic that detailed what would happen after everything had been obliterated.

A stacked cast of excellence paint a picture of a shattered America in the last days of humanity. The sheer scope of our nuclear weapons are put on the screen. We see an entire city in middle America blasted off the face of the Earth forever. We see the survivors of the blast struggling to stay alive in the face of hunger, sickness, and radiation poisoning. Dave is less than impressed with the movie and struggles with the political struggle that informed the possibility of a nuclear holocaust. Bryan's feelings on the movie are much more complicated, having grown up within a few miles of two high priority nuclear targets as all this was going down.

It's our longest episode yet and we have thoughts. There will be no survivors.

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This week we take a step back to 1984 for a movie that couldn't possibly be anymore 80's if it tried. It's Thom Eberhardt's Night of the Comet starring Catherine Mary Stewart and Kelli Maroney. Through shit luck two Valley Girl sisters miss out on the once-in-a-lifetime passing of a comet what's tail bathes the earth in deadly cosmic radiation, reducing people out in the open to nothing more than a pile of red dust and those who stayed in under less than ideal conditions to monstrous cannibals. A think tank of scientists, hidden in an underground base, are looking for a cure to the condition but at what cost?

It's at one time a fun teen horror comedy and a movie that tries to get a couple of young women to tangle with the reality of being the last living people on earth and while it doesn't always land in one piece, it's a tremendously fun piece of cult. Dave loves this movie tremendously and makes a case for it being an unexpected piece of feminist horror and Bryan, never really taking it too seriously in the past comes out the other side a believer. Together, we both hate the movie's ending with a furious passion. Let us tell you all about it!

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We're coming at you with a bonus episode dedicated to the memory of the late, great, Ozzy Osbourne. Trick or Treat from 1986 is hardly a great movie and was almost forgotten as quickly as it entered theaters but what we find in this movie is a remarkably authentic portrayal of what it was like to be a metal head in the 80's. Satan was lurking everywhere and all of your friends' parents were convinced that people who listened to metal were all drug addict murderers or at least would become drug addict murderers if they kept listening to that Ozzy Osbourne character.

We pay sweet tribute to Ozzy, talk about the satanic panic, and our own experiences growing up metal in the 80's and really get down with this utterly bonkers horror movie. We hope you enjoy.

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Here's a freebie episode of our X-Files rewatch podcast, Do You Think I'm Spooky for all non-Patreon subscribers to let you know what you're all missing. Want more? We're nearly finishied recapping season one of the show along with a rundown of the headlines, box office and music charts, and TV shows for that week in 90's history.

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This week we see mega-creep Doug Hutchison return to the X-Files for a bit on an episode sequel as weirdo stretchy mutant, Eugene Tooms is released from the mental hospital to once again stalk the streets of Baltimore looking to eat just one more liver so he can hibernate and return 30 years on to continue his killing spree.

Meanwhile, in 90's history, the times they are a-changing with another raft of forgotten sitcoms that didn't even make it to mid-season, a wild new appearance of pop songs, nothing particularly special happening at the movies, and the rise of American domestic terrorism.