Get ready to pour yourself a cocktail, put on an old opera record, and inject yourself with a chemical compound that stretches the bounds of death in a terrifying fusion of science and art, because the crew at Box Office Pulp is back on their wax bullshit with a commentary track for Sergio Stivaletti's Fulci-by-another-name fable, 1997's Wax Mask. The legendary special effects master responsible for the Demons franchise only ever directed a single feature, and this slasher by way of a giallo by way of a Wax Museum mystery has been unfairly forgotten by even the most stalwart horror faithfuls. Listen to the tale of Dario Argento's last boon to a dying frenemy, a museum owner driven by heartbreak to murder and mad science, and a dubbing track that descended into pure, unfiltered Italiano.

So remove your mesh mask to reveal your wax mask to reveal your robot(?) skull by listening now!

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Get ready to hustle up some bibles, condemn some apostates, and declare that someone IS NO KIN OF YOURS, as tonight the Bop Crew interviews Payton McCarty-Simas, author of That Very Witch: Fear, Feminism, and the American Witch Film. Together they have a fascinating discussion on their favorite witch films, the unique properties of American hysteria, the environmental factors that lead to booms in either witch hunts of witch flicks, why there were so many goddamn warlocks in the eighties, and the explicit fascism of the Veronica Lake vehicle I Married A Witch.

Pick up your copy of That Very Witch: Fear, Feminism, and the American Witch Film: https://www.lunapresspublishing.com/product-page/that-very-witch-that-very-witch-fear-feminism-and-the-american-witch-movie

(also available wherever books are sold!)

Check out Payon on Instagram: @paytplace

• Taboo Acts, Queer Allegories: Cannibalism, Incest, and Queerness as Transgression in Genre Film | PAYTON McCARTY-SIMAS
• The Substance Is a Witch Film | by Payton McCaty-Simas

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Once the most derided type of film adaptation, video game movies have been seeing a renaissance as of late. So what better time to borrow the conventions of a once-derided medium to tell a story all your own? In this Mini-BOP, Mike and Jamie gush about the new film by genre filmmaker Jason Trost, The Waves of Madness, the world’s first side-scrolling motion picture. With a premise that could have outstayed its welcome in minutes, Waves draws you in with its loving pastiche of PS1-era survival horror, and keeps you with a sincere Lovecraftian mystery at sea, with the best monster design we’ve seen all year. You’ll never look at load screen monologues the same way again!

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