"Elizabeth took up some needlework, and was sufficiently amused in attending to what passed between Darcy and his companion." —Pride and Prejudice

Jane Austen often wove needlework and other domestic crafts into her novels in thoughtful and meaningful ways. In this episode, Professor Jennie Batchelor joins us to discuss Austen’s own skill with a needle and explore how she used such “women’s work” to reveal her characters’ strengths and flaws, illuminate their social and power dynamics (think Mrs. Norris and Fanny Price), and reflect their thoughts and feelings.

Jennie Batchelor is a professor of 18th-century and Romantic studies and Head of English and Related Literature at the University of York. She was also the inaugural Postdoctoral Fellow in Women’s Writing (1660-1830) at Chawton House Library and the University of Southampton. She has published widely on women writers of the eighteenth and nineteenth centuries, on early magazines, and on women’s work, dress, and craft. In 2020, she published Jane Austen Embroidery with Alison Larkin, which includes 15 stitching projects based on 18th-century patterns.

For an edited transcript and show notes, visit https://jasna.org/austen/podcast/ep33

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"My dearest Cassandra,

The letter which I have this moment received from you has diverted me beyond moderation. I could die of laughter at it, as they used to say at school."
—Jane Austen, September 1, 1796

It's been speculated that Jane Austen may have written nearly 3,000 letters in her lifetime. While only 161 are known to have survived, that small collection offers a wealth of information about her daily life, her friends and family, her writing, and her voice. In this episode, historical sociolinguist Ingrid Tieken-Boon van Ostade shares insights gained from her study of the language in Austen’s letters—from her vocabulary and spelling to her many instances of linguistic playfulness and clues about her dialect and accent.

Ingrid Tieken-Boon van Ostade is professor emeritus of English Sociohistorical Linguistics at Leiden University's Centre for Linguistics in the Netherlands. A member of the Royal Netherlands Academy of Arts and Sciences and a knight in the Order of the Netherlands Lion, she has published widely in her field. Her works include In Search of Jane Austen: The Language of the Letters (2014), an in-depth linguistic analysis of Austen’s correspondence.

For an edited transcript and show notes, visit https://jasna.org/austen/podcast/ep32.

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Happy 2026, listeners! To kick off the new year, we’re sharing something special: Austen Chat’s first episode recorded in front of a live audience.

Jane Austen lived during a remarkably dynamic period of British history and was well aware of the forces shaping her world—colonial expansion, booming global trade, revolutions in Europe and the Americas, and slavery and the abolition movement. It was also a world that included people of color whose lives were far richer and more influential and varied than often assumed today. In this episode, we talk with author Vanessa Riley, who is eager to share their stories.

Join us as we discuss Miss Lambe—Austen’s mixed-race heiress in Sanditon—and meet some notable Black figures from Austen’s time, such as Dorothy Kirwan Thomas, who was born enslaved but went on to build a Caribbean business empire. Vanessa also shares some of her experiences behind the scenes (and on the screen!) of the 2024 adaptation of Sense and Sensibility as Hallmark's historical consultant.

Dr. Vanessa Riley is the author of over 25 novels across across the genres of historical fiction, romance, and mystery, including a trio of books based on the true stories of extraordinary women during the Regency era: Island Queen, Queen of Exiles, and Sister Mother Warrior. Her works spotlight hidden narratives of Black women and women of color. Vanessa was the historical consultant for Hallmark’s 2024 adaptation of Sense and Sensibility and the 2024 Georgia Mystery/Detective Author of the Year for Murder in Drury Lane. With a doctorate in mechanical engineering from Stanford University and other engineering degrees from Penn State, she brings a research-oriented approach to her inclusive storytelling about the Caribbean and the Georgian and Regency eras.

For a transcript and show notes, visit https://jasna.org/austen/podcast/ep31.

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