Today on Art of the Cut we’re talking with editor Viridiana Lieberman about the Oscar-nominated and BAFTA-nominated Best Documentary, The Perfect Neighbor. The film was also nominated for the Grand Jury prize at Sundance, and the Audience Award at SXSW, it won the Cinema Eye Honors Award for Best Directing and Viri was nominated for Best Editing. Viri was also nominated for an ACE Eddie and won the Critics Choice Documentary Award for Best Editing.

Viri was last on Art of the Cut for her work on the documentary, Carlos. Her other work includes directing and editing the ESPN film, Born to Play, and editing on docs like The Sentence, 30 for 30, and Lowndes County and the Road to Black Power.

Our discussion today includes using structure to hook the audience, how sometimes an iPhone is an editing tool, and why the term “b-roll” is cringe-worthy.

If you want to read along with this interview and see exclusive photos, check out the BorisFX blog at

borisfx.com/blog/aotc

Today on Art of the Cut a discussion of the Oscar-nominated Best Picture, Train Dreams with editor Parker Laramie.

Parker was the 2025 Winner of the Jonathan Oppenheim Editing Award at Sundance for the documentary André Is an Idiot. He has also been nominated for 2 Emmys and a Cinema Eye Honors Award for his writing and editing on the non-fiction program, Allen v. Farrow. His other work includes the feature film Sing Sing, and the TV mini-series Dancing for the Devil: The 7M TikTok Cult, among many other projects.

Our conversation today includes: how a background in documentary editing helps with editing narrative features, creating dynamics by changing structure, and the power … and danger … of a cut to black.

If you'd like to read along with the podcast and see a trailer, behind the scenes photos, a timeline screenshot of Train Dreams - in Premiere - visit the BorisFX.com blog site

borisfx.com/blog/aotc

Today on Art of the Cut we speak with Affonso Gonçalves about editing Chloe Zhao’s Hamnet.

Affonso has been on Art of the Cut previously for Don’t Worry, Darling,

Affonso has been nominated for an Emmy and won an ACE Eddie for his work on the TV series True Detective. He was nominated for another ACE Eddie for his work on the documentary, The Velvet Underground. His other work includes the films Carol, The Lost Daughter, Beasts of the Southern Wild, and Winter’s Bone.

Our conversation today will cover co-editing with Oscar-winning director Chloe Zhao, the power of elliptical editing, and the value of cutting to black.

If you'd like to read along with this podcast, you can read a transcription and see photos, clips and the trailer at teh BorisFX blog site.

Check out: borisfx.co/blog/aotc