In this Write Big episode, Jennie reflects on the winter solstice as a powerful metaphor for the writing life. Using the natural turning of the year—from darkness back toward light—she explores what it means to keep choosing your work, especially when fear, rejection, discomfort, or uncertainty creep in. Writing big, she reminds us, isn’t about eliminating darkness; it’s about practicing the return to what lights you up again and again.

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Join the Blueprint Sprint

Starting January 12 and rolling though February, KJ Dell’Antonia and Jennie Nash will lead you through the 14 foundational questions that every writer should ask of themselves and their book, whether you’re just getting started, are mid-draft or starting on on the whatever-number revision with weekly assignments, live events, workbooks and updated access to all the Blueprint resources. All you need to do is be a paid subscriber and stay tuned—we’ll let you know how to get signed up.

I NEED a January Blueprint!

What if you want even MORE? Then you could be one of a very few #AmWriting subscribers who join our first ever Blueprint Sprint cohort. 6 weeks of working together and write-alongs, 5 group-only live sessions, which will be recorded for anyone who can’t attend and a members-only community dedicated to helping you create a Blueprint that leads you to the book you want to write, ending with direct feedback from me and from Jennie on your flap copy and 3 page Inside-Outline.

We’re keeping this small on purpose—we max out at 10 and we might drop that down—so applications to join this group open today and will be evaluated on a first-come, first serve basis. Once we have 10 people, we will close down the application, so get yours in early! Early-bird pricing is $1000 until December 22, after that the price goes up to $1200 (if there are spaces left by then).

What are we looking for? 10 writers who are prepared to commit to the process and to the cohort, who do what they set out to do when they set out to do it, who welcome constructive feedback and are willing to do what it takes to build a blueprint for the book they want to create. Writers who know that sometimes you must look a hard truth in the face and cut your losses, that what goes in the scrap heap is rarely resurrected but that the scrap heap is a necessary part of the work. Writers who won’t take no for an answer, but can hear “not this” and feel both disappointment and a burning determination that the next effort will be the one that gets there.

Also: no a******s.

What will you need to apply? We want to hear about your professional and publishing backgrounds, but no publishing experience is necessary. We want to know where you are with this current project, but “still noodling” is a fine answer. The primary requirements are first, a readiness to do the work and second and more ephemerally, our sense of what makes a cohesive cohort.

If that sounds like you, here you go—the time to apply is now.

It’s the December Booklab, and while our booklabs are normally only for subscribers, we’ve made this one free as a little present to you—something to listen to while all the other pods are having a well deserved break.How this works: we’ve chosen two among the brave souls who have submitted their first pages (i.e. first 350 words) to us. As always, we read the page aloud, with no other information other than genre and (sometimes) title. We talk about what we read, how it was received, what we think we do and don’t know about the book and what we should know. We offer constructive comments to these writers, and to all writers, on how to make that first page work as hard for you as it can.

And then we answer the question: would we turn the page?

Kids, those first pages have to WORK. People download a book, or grab an audio sample, often without the benefit of your flap copy or the beautiful cover, and you need to sell them on sticking around from that first minute.

The two entries for this episode:

* The Burning Truth is a commercial thriller centered on a woman whose sister’s death is reopened when a teenage true-crime podcaster starts investigating a case that hits dangerously close to home.

* Camil and Bloom is contemporary literary fiction about a middle-aged woman at a bar grappling with being ghosted, using sharp observational detail to explore loneliness, aging, and stalled lives.

Our takeaway is that a first page must work with extreme efficiency: it needs to establish character, stakes, and story direction all at once. Vivid details and strong writing aren’t enough on their own; those details have to be focused and clearly tied to the protagonist’s emotional core so readers understand whose story this is and why it matters. A compelling hook helps, but clarity of perspective and purpose is what ultimately makes a reader turn the page.

#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

It’s on again!

The Blueprint is one of our most popular offerings—Our 10 step plan to help you define the book you want to write before you write 100k words in search of it—but this time we’re going in fast and we’re knocking this puppy out in just 6 weeks. Starting January 12 and rolling though February, Jennie Nash and I (this is KJ) will lead you through the 14 foundational questions that every writer should ask of themselves and their book, whether you’re just getting started, are mid-draft or starting on on the whatever-number revision.

We’ll have weekly assignments and live events (recorded so no one missed anything). We’ll have workbooks and updated access to all the Blueprint resources. There will be chat and solidarity and all the energy that comes from being a part of a community all working together to reach the same goal. Plus, every time we’ve done a Blueprint, somebody ends up with a book deal (listen here: An #AmWriting Success Story! ). That could be you.

I LOVE Blueprint season.

As Jennie says in the episode, the Blueprint comes from her realization that over and over again in her book coaching career (which is long and storied) she was seeing people come to her with the same mistakes—300-350 page manuscripts that lacked an inner structure, or an internal point, that meandered, were all plot and no heart or tried to offer instruction without ever conveying why it was so badly needed and what it would change for the reader.

Her secret is that she developed the Blueprint for revision (and she recorded a whole episode about that, coming later this week) and then realized that using it from the get-go works, too.

Look, I’m the first to tell you that the Blueprint doesn’t solve everything. But it helps… a lot. So get ready to Blueprint, whether you’re starting a new project or revising the current one (that’s where I’ll be)—and if you’re not already a supporter of the podcast (the only way to access the Blueprint) you should be. Right now it’s $100 a year, going up January 1.

Oh I am so IN, counting the days.

What if you want even MORE? Then you could be one of a very few #AmWriting subscribers who join our first ever Blueprint Sprint cohort. 6 weeks of working together and write-alongs, 5 group-only live sessions, which will be recorded for anyone who can’t attend and a members-only community dedicated to helping you create a Blueprint that leads you to the book you want to write, ending with direct feedback from me and from Jennie on your flap copy and 3 page Inside-Outline.

We’re keeping this small on purpose—we max out at 10 and we might drop that down—so applications to join this group open today and will be evaluated on a first-come, first serve basis. Once we have 10 people, we will close down the application, so get yours in early! Early-bird pricing is $1000 until December 22, after that the price goes up to $1200 (if there are spaces left by then).

What are we looking for? 10 writers who are prepared to commit to the process and to the cohort, who do what they set out to do when they set out to do it, who welcome constructive feedback and are willing to do what it takes to build a blueprint for the book they want to create. Writers who know that sometimes you must look a hard truth in the face and cut your losses, that what goes in the scrap heap is rarely resurrected but that the scrap heap is a necessary part of the work. Writers who won’t take no for an answer, but can hear “not this” and feel both disappointment and a burning determination that the next effort will be the one that gets there.

Also: no a******s.

What will you need to apply? We want to hear about your professional and publishing backgrounds, but no publishing experience is necessary. We want to know where you are with this current project, but “still noodling” is a fine answer. The primary requirements are first, a readiness to do the work and second and more ephemerally, our sense of what makes a cohesive cohort.

If that sounds like you, here you go—the time to apply is now.