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In this episode of Album Reviews and You, I dive into Amy Winehouse’s Back to Black — the late-night diary entry turned Motown funeral march that redefined heartbreak records. From the swaggering horns of “Rehab” to the mascara-stained tragedy of “Back to Black,” every track is drenched in humor, pain, and just the right amount of chaos.

We’ll talk about what happens when an artist’s demons fuel their brilliance, why Amy could make even a drunk text sound like a Motown classic, and how an album can feel both timeless and tragically inevitable. This isn’t just a throwback sound — it’s Amy Winehouse weaponizing soul music into something raw, dirty, and unforgettable.

Grab a drink, light up a smoke, and come along as we break down Back to Black track by track — the record that proved sometimes genius comes with scars.

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Critics call OK Computer one of the greatest albums of all time. I call it an endurance test in distortion, mumbling, and half-baked ideas. From the car-crash shrug of “Airbag” to the robot poetry of “Fitter Happier” and the slow-motion crawl of “The Tourist,” Radiohead’s so-called masterpiece feels less like revolution and more like a sleep aid with guitars.

In this episode, I break down every track, tearing into the chaos, the boredom, and the baffling hype that still surrounds this record nearly three decades later. If you’ve ever wondered whether OK Computer is genius or just gray wallpaper with a fan club, buckle up — we’re going track by track through the noise.

Listen, argue, laugh, and maybe even yell at me for trashing your favorite band. Either way, this one’s a ride.

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Prince’s Purple Rain isn’t just an album, it’s a coronation. From the sermon-on-the-dancefloor explosion of Let’s Go Crazy to the filth and fury of Darling Nikki, to a closing anthem that could level a stadium, this is Prince at his most unfiltered and unstoppable. I dig through the solos, the Linn drums, the screams, the ego, and the genius to see why this record still commands so much reverence today. Spoiler: it’s not subtle, but that’s the point.

If you’ve ever wanted to know how that skinny motherfucker with the high voice from Minnesota could change the world with nine songs, here’s your answer.

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Use the ‘Send Us A Text’ button to suggest an album for me to review.

Warning: if you request Nickelback, I might actually do it!