In this week's Gloria Grahame Acteurist Oeuvre-view episode our heroine reunites with Fritz Lang and Glenn Ford in Human Desire (1954), based on the Zola novel La bête humaine, which was more faithfully filmed by Renoir in 1938. We debate the relative merits of the two adaptations as well as the potential weakness that links them. Then we turn to the quirky little noir Naked Alibi (also 1954, co-starring Sterling Hayden), in which Gloria gets to be the hero against a thoroughly incoherent backdrop to which we apply some scattershot social analysis. Irresponsible opinions galore await the courageous listener!

Time Codes:

0h 00m 25s: HUMAN DESIRE (1954) [dir. Fritz Lang]

0h 28m 43s: NAKED ALIBI (1954) [dir. Jerry Hopper]

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* Listen to our guest episode on The Criterion Project – a discussion of Late Spring

* Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

* Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

* Read Elise's piece on Gangs of New York – "Making America Strange Again"

* Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

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