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AI Human vs Human AI.

AI Human vs Human AI.

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 AI Human vs Human AI. A brief history of transhuman music. Most AI-generated songs now sound more human than most human-made songs. How did music go so horribly wrong? It all happened so fast, too! If you’re a Gen Xer like me, you’ve witnessed this whole process unfold from start to finish in just a few decades. As a kid I remember the first time I saw Depeche Mode performing live on some TV show. I was so confused. I heard drums, but I didn’t see a drummer!? What kind of sorcery was this? Remember, this was before the internet, so I had no way of finding out how they did that. Then a year or so later, I saw these little black boxes in my local music instrument store. “What kind of instrument is that?” I asked the long-haired store clerk, who was rather busy air-guitaring along to some ‘80s shred album. “It’s a drum machine,” he told me. “How does it play the drums?” I asked, with even more curiosity than before. He laughed, and then explained how it doesn’t physically play drums, it’s a computer that replicates the sound of a drummer. I was shocked! “But then bands won’t need drummers anymore?” I said, hoping that he would tell me I’d misunderstood his explanation. But no. He confirmed that the future indeed did not look good for drummers. “Are you a drummer?” he asked. “No, I play piano and guitar,” I replied. “Well you’ve got nothing to worry about then!” he assured me, trying to put my young prophetic mind at ease. But the writing was on the wall, and it was obvious to all with eyes to see. Subscribe to get the latest posts in your inbox. The release of drum machines did two things, which together formed the catalyst for the death of music. Firstly, a lot of drummers lost their gigs. You see, the fewer people in a band, the more money each member makes. And remember, for working-class musicians like us who are just trying to scrape by, that increase can be the difference between paying rent and being homeless. So I’m not judging any bands that replaced their drummers with drum machines. I know the struggle. The drummer in my band was my brother. So who knows, if it was someone else, I may have done that too. The second consequence of replacing drummers with drum machines was that all the drummers who still had bands, like my brother, were now being compared to drum machines. No matter how tight their playing, it was never as tight as the machine. This destroyed most drummers’ confidence, and it began the false idea that having everything perfectly on the MIDI grid was the best way. This is a lie. The feel of a great drummer is exclusively due to them not hitting everything on the grid. A well-played soul groove that’s slightly behind the beat feels a million times better than a drum machine. And a well-played punk groove that’s slightly ahead of the beat feels so intense compared to a drum machine. There’s nothing perfect about playing perfectly on the grid. It just feels dead. Like the machine. Also, the slight variations that you get from a human drummer throughout each song is priceless, and breathes life into every single bar. Now, the next stage in the death of music occurred in 1997, with the release of Auto-Tune. This was the first time that the pitch of vocals could be corrected. It was dark sorcery, too. I remember the first time I experienced this. I had just walked into the beautiful Metropolis Studios building in London, and my engineer friend Rohan Onraet met me with an excited “Dude, you gotta see this!” as he quickly ushered me into Studio C where he was working on a mix. He sat me down and proceeded to play a Before and After version of a vocal track. I still remember who the band was, but I won’t mention them, as the first rule of Studio Club is: You don’t talk about what happens in the studio! The difference between his Before and After versions of the vocals was shocking. The singer was not very good, but after my friend had auto-tuned him, he sounded just as good as anyone else. I could not believe it. “That’s cheating” I protested. “Yep” he agreed. And after a dramatic pause, he added: “This changes everything.” Turns out he was far more prophetic than he realized. Subscribe to get the latest posts in your inbox. By the early 2000s, pitch correction software had been adapted to be able to tune any and all instruments, including guitar. Around the same time, rhythmic correction software was also developed. Now it was possible to record a live drummer, but then using software like Beat Detective, every hit could be perfectly aligned to the MIDI grid. This is why the drums on most recordings from 2001 onwards start sounding like drum machines, despite often being human drummers. So 20 years ago, singers were already sounding like robots, and drummers were sounding like drum machines. And many bass guitarists had already been replaced with synthesizers by then, and the bassists that ...
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