On episode 275, Philip discusses, among other things:

• His ‘cabinet of curiosities’ studio space
• A recent, powerful urge to photograph in Australia
• Why he left the newspaper world there in favour of Thailand
• His early project “The Cars That Ate Bangkok”
• His sense of anger at injustice
• His ‘near death experience’ on Sleeping Dog Mountain
• Process, shooting on film, and working close to the subject
• The influence of Koudelka’s book Exiles
• The ways in which his old home of Bangkok has changed since he was there
• Why he moved to France

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Joachim Ladefoged is a Danish photographer born in 1970. He has worked as a professional since 1991, and is a member of the international photo agency VII. Today he is a staff photographer at the Danish Daily Jyllands-Posten, but over the years he has worked regularly for magazines such as The New York Times Magazine, Mare, The New Yorker and TIME.

Joachim has received numerous awards for his work from institutions such as Visa D'Or, World Press Photo, POYi, Eissie, and Agfa, as well as Picture of the Year in Denmark. Over the years he has published 3 monographs, Albanians, Mirror and Time After My Time.

Joachim photographs everything with the same inventiveness and diligence, whether sports, war or commerce. His highly accomplished career has seen him master complex, violent news stories, commercial assignments, daily news, and rich, vibrant, and spectacular feature stories. Joachim is credited with being one of the driving forces behind the new wave of Danish photojournalism.

In episode 274, Joachim discusses, among other things:

• Having arthritis as a teenager and the impact it had on his life (good and bad)
• Starting his career as an intern at a local newspaper
• Moving on to ‘the best job in the world’ at national newspaper Politiken
• Winning the World Press Photo award
• Words of wisdom received from Magnum legend Constantine Manos
• Getting into Magnum… and being chucked out again
• Being part of ‘the new wave of Danish photojounalists’
• Why changing direction on becoming a father was “the right decision, but a hard decision”
• Why three photographers were just made redundant on his newspaper
• His approach to shooting and lighting portraits
• His book project Time After My Time
• Photographing his kids with the iPhone

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Lee Shulman is a visual artist, filmmaker, and founder of The Anonymous Project, one of the most significant archives of vernacular color photography in existence. Since 2017, the project has amassed nearly one million Kodachrome slides from the 1940s to the early 2000s — intimate, everyday images that might have otherwise been lost to time. Through curation and transformation, Lee reanimates these personal photographs, weaving them into compelling narratives that explore memory, family, love, and cultural shifts across generations.

Lee’s career also extends into film direction, notably with his debut feature documentary, "I Am Martin Parr," released in 2025. This film chronicles a road trip with renowned photographer Martin Parr, revisiting iconic locations from his oeuvre. Shulman's prior collaboration with Parr on the "Déjà View" project, which paired Parr's distinctive photographs with images from The Anonymous Project, laid the groundwork for their working relationship. The documentary provides an affectionate portrayal of Parr's artistic process and enduring work ethic, further cementing Lee’s engagement with the broader discourse of photography.

Born in London in 1973, Lee lives and works in Paris. His work has been exhibited internationally, including at the Venice Biennale and Rencontres d’Arles, and is held in major collections such as the Getty Museum in Los Angeles and Photo Elysée in Lausanne.

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Featuring:

• Ed Sykes
• Ian Howarth
• Dina Litovsky
• Joseph Michael Lopez
• Mike Abrahams
• Ian Macdonald
• Katrin Koenning
• Tomasz Tomaszewski
• Mackenzie Calle
• Marc Wilson
• Paul Seawright
• Mohamed Bourouissa
• Anna Arendt
• Marjolein Martinot
• Rankin
• Tony Docekal
• Eli Reed
• Merlin Daleman
• Mike Brodie
• Paul Sng
• Ed Kashi
• Rachel Elizabeth Seed

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Rachel Elizabeth Seed is a Brooklyn and Los Angeles-based nonfiction storyteller working in film, photography, and writing.

In 2025, she won the Truer Than Fiction Spirit Award for her debut feature film, A Photographic Memory, which is also a New York Times Critics Pick.

Rachel’s work has received support from the Sundance Institute, Chicken + Egg Films, the Jewish Film Institute, the California Film Institute, Jewish Story Partners, NYFA, Field of Vision, the Jerome Foundation, NYSCA, the Maine Media Workshops, the Roy W. Dean grant, the National Arts Club, IFP, and many others.

Formerly a photo editor at New York Magazine, her photography has been exhibited worldwide, including at the International Center of Photography, and she was a cameraperson on several award-winning feature documentaries. Rachel’s writing has been published by No Film School, the Sundance Institute, and Talkhouse and she is Executive Director / Co-founder of the Brooklyn Documentary Club, a NYC-based filmmaker collective with 250+ members.

In episode 271, Rachel discusses, among other things:

• A summary of her mum’s character
• nature vs. nurture
• Her mum’s Images of Man interviews for ICP/Scholastic
• What inspired her to make a film
• How her own story became interwined with her mum’s
• Discovering a family archive of super 8 footage
• How she recreated the interviews using actors
• The importance of working with good editors
• The challenge of funding and financing
• Key advice for anyone wanting to make a personal documentary
• The fine balance between collaboration and having the courage of your convitions as director
• Writing for narration as opposed to for reading
• Sharing her personal stories as the film evolved over a ten year period - How to balance life and art
• ‘Selling the film’ and what that means in practice
• The Brooklyn Documentary Club
• Moving to L.A.
• Projects she has in development

Website | Instagram

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Featuring:

• Yasuhiro Ogawa
• Marshall To
• Lua Ribeira
• Gianluca Gamberini (L'artiere books)
• Eleonora Agostini
• Pia-Paulina Guilmoth
• Aletheia Casey

Books/Projects mentioned:

• Lost in Kyoto, Yasuhiro Ogawa
• Blank Notes, Marshall To
• 44 Irvine Street 1970-1971, Susan Meiselas
• Agony In The Garden, Lua Ribeira
• Calling The Bird Home, Cheryl St. Onge
• Another England, Phil Toledano
• A Study On Waitressing, Eleonora Agostini
• Flowers Drink The River, Pia Paulina Guilmoth
• Fishworm, Pia Paulina Guilmoth & Jesse B. Saffire
• A Lost Place, Aletheia Casey

Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.
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Ed Kashi is a renowned photojournalist, filmmaker, speaker and educator who has been making images and telling stories for 40 years. His restless creativity has continually placed him at the forefront of new approaches to visual storytelling. Dedicated to documenting the social and political issues that define our times, a sensitive eye and an intimate and compassionate relationship to his subjects are signatures of his intense and unsparing work. As a member of VII Photo, Ed has been recognized for his complex imagery and its compelling rendering of the human condition.

Ed’s innovative approach to photography and filmmaking has produced a number of influential short films and earned recognition by the POYi Awards as 2015’s Multimedia Photographer of the Year. Ed’s embrace of technology has led to creative social media projects for clients including National Geographic, The New Yorker, and MSNBC. From implementing a unique approach to photography and filmmaking in his 2006 Iraqi Kurdistan Flipbook, to paradigm shifting coverage of Hurricane Sandy for TIME in 2012, Ed continues to create compelling imagery and engage with the world in new ways.

Along with numerous awards from World Press Photo, POYi, CommArts and American Photography, Ed’s images have been published and exhibited worldwide. His editorial assignments and personal projects have generated fourteen books.

In 2002, Ed in partnership with his wife, writer + filmmaker Julie Winokur, founded Talking Eyes Media. The non-profit company has produced numerous award-winning short films, exhibits, books, and multimedia pieces that explore significant social issues.

In 2019, The Enigma Room, an immersive installation, premiered at NYC’s Photoville festival, and has since been seen in Israel, the Netherlands, South Korea, and New Mexico, USA.

HIs new book is, A Period In Time: Looking Back While Moving Forward, 1977 - 2022.

In episode 269, Ed discusses, among other things:

• Wanting to contribute to positive change
• Donating his archive and why
• A lesson learned on being assertive
• His new book A Period In Time
• Publishing extracts from his journal entries
• Editing language in response to modern sensibilities
• Seeing the impact of identity politics in the USA
• His book project with his wife, Julie, American Sketches
• America being less divided than we are being led to believe
• His interest in ‘advocacy journalism’

Website | Instagram

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