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This week we’re joined by Raina Deerwater, Associate Director and Research Analysis at GLAAD! She joins to discuss their Studio Responsibility Index, and recent findings that LBGTQIA+ representation in film is on the decline. We discuss what that means, and what can be done about it. And then we talk about the sapphic crime drama, Love Lies Bleeding starring Kristen Stewart one of a few queer centered films from 2024.

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This week we're finally discussing Tony Kushner's masterpiece, Angels in America. As Chicago's own Invictus Theater Company stages a new production, we welcome two actors from the show, Miguel Long and Ryan Hake, to discuss the 2004 HBO adaptation. They offer insight into playing these challenging roles, as we discuss the differences between the play and the movie, and how the play remains as relevant as ever.

Click here for information about the Invictus Theater’s production, running through September 7, 2025.

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This week, Brian is joined by writer Sezin Devi Koehler, who quite literally wrote the book on Keanu Reeves. Her book, Much Ado About Keanu: A Critical Reeves Theory highlights the actor’s legendary career. We take a specific look at The Matrix, a franchise created by trans women, and John Wick, an iconic character that, according to Sezin’s theory, is very likely transgender himself.

You can find a copy of her book here

https://tinyurl.com/2tbpyex6

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This week we’re taking a look at two very different queer icons. Musical geniuses Freddie Mercury and Liberace each got the biopic treatment in the 2010’s, and each got very different treatment. Behind the Candelabra starred Oscar winners Michael Douglas and Matt Damon and was directed by Oscar winner Steven Soderbergh. Despite the pedigree, only HBO would release it. Bohemian Rhapsody, by contrast, despite a troubled production and a problematic filmmaker, somehow won four Academy Awards in 2019.

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This week we’re joined by film scholar Syd Wrigley, who joins the podcast to discuss Gregg Araki’s famed Teen Apocalypse Trilogy. Starting with Totally Fucked Up in 1993, he followed it with The Doom Generationin 1995 and finally Nowhere in 1997, the trilogy that would define a generation and stands at the center of the New Queer Cinema movement. Recently re-released via Criterion, these films are being discovered by a brand new generation, and Araki is only now finding auteur status.

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This week we have an interview with director Dana Flor discussing her new documentary, 1-800-ON-HER-OWN, an intimate look at singer songwriter Ani DiFranco ! And we’re excited to announce a partnership with the filmmakers to bring the movie to Chicago! On April 13 at the #Music Box Chicago to catch the Chicago premiere in person!

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This week we're joined by writer Alonso Duralde, author of Hollywood Pride to discuss Barbra Streisand's directorial debut, Yentl. The story of a young woman who bucked convention, and gender norms, to follow her dreams. Progressive for 1983, the film was ahead of it's time, and is undergoing a queer reappraisal.