In this mesmerizing film by Kunsang Kyirong, the deepening bond between two young women threatens to have repercussions throughout a community of Tibetan immigrants living in an apartment complex in west Toronto.

Indeed, one of the most impressive aspects of this fully realized first feature is Kyirong’s ability to combine a detailed portrait of this wider network of intersecting lives with a similarly specific and empathetic look at two people resisting the roles they’ve been assigned.

Ten years after moving to Vancouver, struggling visual artist Kana Yamamoto (Mayumi Yoshida) returns to Tokyo to attend the funeral of her beloved grandmother. Arriving in Japan, she rekindles a tentative flame with her bashful ex-boyfriend, Hiro (Ryo Tajima), an aspiring thespian who vanished from her life a decade prior. As Kana digs deeper into her grandmother’s past, she uncovers a family secret that prompts her to reconsider everything she thought she knew about love, duty, and belonging.

A feature adaptation of writer/director/actor Mayumi Yoshida’s autofictional short film of the same name, Akashi’s largely black-and-white cinematography evokes the solemnity of Kana’s grief, with select scenes brought to life in vivid colour. Themes of identity, class struggle, and artistic aspiration coalesce as the film shifts between the past and present to explore contrasting tales of star-crossed romance. Awash in synth soundscapes and driven by emotionally resonant performances, this tender drama asserts love’s ability to bridge any and all distances.

Francesco Sossai’s latest is an effortlessly charming and utterly delightful romp through the Italian countryside from the POV of a passenger in a car with two old-timers reliving their long-gone glory days.

Loosely pulling from their own experiences, co-writers Francesco Sossai and Adriano Candiago brilliantly revive the beloved Commedia all’italiana style. Impeccably shot on film stock by director of photography Massimiliano Kuveiller (who also shot Diciannove, TIFF ’24), The Last One for the Road is director Sossai’s sophomore film. Inspired by filmmakers like Marco Ferreri, Elio Petri, Francesco Rosi, and Carlo Lizzani, his latest is an homage to special places that live in our memories — bars and streets from our youth, now demolished to make way for new development — and a call to redraw our inner maps.