Widely regarded as his major work, Crowley's Magick in Theory and Practice is an extensive treatise on magick, a system of Western occult practice synthesized from many sources, including Eastern yoga, hermeticism, medieval grimoires, contemporary magical theories, and Crowley's own original contributions. As important today as when it was first written, Magick in Theory and Practice is essential listening for anyone interested in occultism.

This is the perfect introductory text for listeners who wonder what the works—rather than the myth—of Aleister Crowley are all about. Author Lon Milo DuQuette begins by dispatching some of the myths that have surrounded Crowley’s life and legend. He then explores the practice of rituals themselves, unpacking Crowley’s often opaque writing and offering his own commentary. Step by step, and in plain English, he presents a course of study with examples of rituals and explanations of their significance. 

Lilith is the mythological seductress that has been repressed since Biblical times. She is the representative of the essentially motherless form of the feminine self that arose as an embodiment of the neglected and rejected aspects of the great goddess.

Marco Visconti has taught Aleister Crowley's Magick to hundreds of aspirants, proving to himself and others its transmutative powers. This book brings together the effective techniques and practices from those lessons. We all live very busy lives in increasingly small spaces, but this book shows that to practice magick you don’t need fancy tools or robes or marbles halls. Magick is truly for everyone, because all you need to practice it is a will set in stone.

Perdurabo—entitled after the magical name Crowley chose when inducted into the Hermetic Order of the Golden Dawn—traces Crowley’s remarkable journey from his birth as the only son of a wealthy lay preacher to his death in a boarding house as the world’s foremost authority on magick. Along the way, he rebels against his conservative religious upbringing; befriends famous artists, writers, and philosophers (and becomes a poet himself); is attacked for his practice of “the black arts”; and teaches that science and magick can work together.