The summer of 1833 has been one of brazen heat and brutal pestilence, as the city is stalked by Bronze John - the popular name for the deadly yellow fever epidemic that tests the healing skills of doctor and voodoo alike. Even as Benjamin January tends the dying at Charity Hospital during the steaming nights, he continues his work as a music teacher during the day. When he is asked to pass a message from a runaway slave to the servant of one of his students, January finds himself swept into a tempest of lies, greed, and murder that rivals the storms battering New Orleans.

New Orleans, 1838. When Benjamin January suddenly finds that his services playing piano at extravagant balls held by the city's wealthy are no longer required, he ends up agreeing to accompany sugar planter Henri Viellard and his young wife, Chloe, on a mission to Washington to find a missing friend. Plunged into a murky world, it soon becomes clear that while it is very possible the Viellards' friend is dead, his enemies are very much alive - and ready to kill anyone who gets in their way.

Mexico City in the autumn of 1835 is a lawless place, teeming with bandits and beggars. But an urgent letter from a desperate friend draws Benjamin January and his new bride, Rose, from New Orleans to this newly free province. Here they pray they’ll find Hannibal Sefton alive - and not hanging from the end of a rope. 

In February 1835, the cold New Orleans streets are alight with masked Mardi Gras revelers as the American Theater’s impresario, Lorenzo Belaggio, brings a magnificent yet controversial operatic version of Othello to town. But it’s pitch-black in the alley where free man of color Benjamin January hears a slurred whisper, spies the flash of a knife, and is himself wounded as he rescues Belaggio from a vicious attack. Could competition for audiences - or for Belagio’s affections - provoke such violent skulduggery?  

New Orleans, 1836. When free Black musician and surgeon Benjamin January attends the funeral of a friend, an accident tips the dead man out of his coffin - only to reveal an unexpected inhabitant. Just one person recognizes the corpse of the White man: Hannibal Sefton, fiddle-player and one of January’s closest friends. But he seems unwilling to talk about his connection to the dead man.... 

Abishag Shaw is seeking vengeance for his brother’s murder - and Benjamin January is seeking money after his bank crashes. Far beyond the frontier, in the depths of the Rocky Mountains, both men are to be found at the great Rendezvous of the Mountain Men, a month-long orgy of cheap booze, shooting matches, tall tales, and cutthroat trading. But at the rendezvous, the discovery of a corpse opens the door to hints of a greater plot - of madness and wholesale murder.

RAN AWAY. So began a score of advertisements every week in the New Orleans newspapers, advertising for slaves who’d fled their masters. But the Turk, Hüseyin Pasha, posted no such advertisement when his two lovely concubines disappeared. And when a witness proclaimed he’d seen the “devilish infidel” hurl their dead bodies out of a window, everyone was willing to believe him the murderer. Only Benjamin January, who knows the Turk of old, is willing to seek for the true culprit, endangering his own life in the process. 

When slave owner Simon Fourchet asks Benjamin January to investigate sabotage, arson, and murder on his plantation, January is reluctant to do any favors for the savage man who owned him until he was seven. But he knows too well that plantation justice means that if the true culprit is not found, every slave on Mon Triomphe will suffer. Abandoning his Parisian French for the African patois of a field hand, cutting cane until his bones ache and his musician’s hands bleed, Benjamin must use all his intelligence and cunning to find the killer - or find himself sold down the river.

It is St. John’s Eve in the summer of 1834 when Benjamin January - Creole physician and music teacher - is shattered by the news that his sister has been arrested for murder. The Guards have only a shadow of a case against her. But Olympe - mystical and rebellious - is a woman of color, whose chance for justice is slim. As Benjamin probes the allegation, he is targeted by a new threat: graveyard dust sprinkled at his door, whispering of a voodoo death curse. Now, to save Olympe’s life - and his own - Benjamin knows he must glean information wherever he can find it.

This lush and haunting novel tells of a city steeped in decadent pleasures and of a man, proud and defiant, caught in a web of murder and betrayal. It is 1833. In the midst of Mardi Gras, Benjamin January, a Creole physician and music teacher, is playing piano at the Salle d'Orleans when the evening's festivities are interrupted - by murder. The ravishing Angelique Crozat, a notorious octoroon who travels in the city's finest company, has been strangled to death.