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  • Twelve Caesars

  • Images of Power from the Ancient World to the Modern (Bollingen Series)
  • By: Mary Beard
  • Narrated by: Mary Beard
  • Length: 10 hrs and 11 mins
  • 3.8 out of 5 stars (16 ratings)

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Twelve Caesars

By: Mary Beard
Narrated by: Mary Beard
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Publisher's Summary

This audiobook narrated by best-selling author Mary Beard explores how images of Roman autocrats have influenced art, culture, and the representation of power.

What does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book - against a background of today’s “sculpture wars” - Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the Western world have been shaped by the image of Roman emperors, especially the “Twelve Caesars”, from the ruthless Julius Caesar to the fly-torturing Domitian. Twelve Caesars asks why these murderous autocrats have loomed so large in art from antiquity and the Renaissance to today, when hapless leaders are still caricatured as Neros fiddling while Rome burns.

Beginning with the importance of imperial portraits in Roman politics, this book offers a tour through 2,000 years of art and cultural history, presenting a fresh look at works by artists from Memling and Mantegna to the 19th-century African American sculptor Edmonia Lewis, as well as by generations of now-forgotten weavers, cabinetmakers, silversmiths, printers, and ceramicists. Rather than a story of a simple repetition of stable, blandly conservative images of imperial men and women, Twelve Caesars is an unexpected tale of changing identities, clueless or deliberate misidentifications, fakes, and often ambivalent representations of authority.

From Beard’s reconstruction of Titian’s extraordinary lost Room of the Emperors to her reinterpretation of Henry VIII’s famous Caesarian tapestries, Twelve Caesars includes some fascinating detective work and offers a gripping story of some of the most challenging and disturbing portraits of power ever created.

Published in association with the National Gallery of Art, Washington, DC

PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

©2021 Mary Beard (P)2021 Princeton University Press

Critic Reviews

“Deftly weaving together past and present, this elegantly written book analyzes the allure of Roman imperial iconography from the early modern period up to the present day. Often reading like a detective novel, it focuses on the formation of a canonical group of 12 Caesars that were invented and reinvented, interpreted and reinterpreted, for purposes that varied from a simple lust for collecting to political self-fashioning.” (Patricia Fortini Brown, author of The Venetian Bride: Bloodlines and Blood Feuds in Venice and Its Empire)

“An exceptionally well written and lively book, there is nothing like Twelve Caesars. The book is consistently informative and entertaining. The range of reference across art history from the 15th to the 19th centuries, as well as in the author’s more expected arena of command in antiquity, is staggering and deeply impressive.” (Jaś Elsner, author of Roman Eyes: Visuality and Subjectivity in Art and Text)

What listeners say about Twelve Caesars

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great but a problem with the audio

Mary Beard is so good! and if you like perspectives of Rome and Art, this will really do it for you.

just a shame the audio appears to be a bit flaky and cuts out at times. =[ I'm not if it can be reported anywhere - I would love to listen to it in full without the cut outs!

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Too dry & dusty, even for a Roman history tragic

I'll preface this by saying I have a great fondness for Mary Beard. Unfortunately, this was not one of her better projects, though it might have worked as a filmed documentary with visuals giving life to her narrative. It was excruciating to sit through, and while I truly hate to abandon a book, I finally lost all my persistence about 3/4 of the way through and cannot bring myself to finish it. I won't be revisiting it.

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