At the end of a dinner party, the remaining guests drink wine and tell stories of their first love. For one of them, it will be a dark journey into his past, reawakening unbearable memories of his obsession with the beautiful Zinaida.

The Count of Monte Cristo is one of the most spellbinding tales ever written. It tells of a good man, Edmond Dantes, whose jealous enemies conspire to destroy him; how an unexpected friend gives him the tools to survive; how he escapes from an island fortress; how the discovery of a vast treasure transforms him into a super-wealthy nobleman determined to carry out his revenge; and the surprising lessons in loyalty and love that he learns on his way.

Richard Pevear and Larissa Volokhonsky, the highly acclaimed translators of War and Peace, Doctor Zhivago, and Anna Karenina, which was an Oprah Book Club pick and million-copy bestseller, bring their unmatched talents to The Selected Stories of Anton Chekhov, a collection of thirty of Chekhov’s best tales from the major periods of his creative life.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

Long overshadowed by Jane Eyre, Villette is widely admired as one of Charlotte Bronte's finest works. This story of a young teacher at a girl's school in the city of Villette is a particular challenge for the young reader, for it requires maturity of vision, a fine narrative sense - and a command of French! Mandy Weston, a newcomer to Naxos AudioBooks, tells the story magnificently.

In the final years of his life, Chekhov produced some of the stories that rank among his masterpieces and some of the most highly-regarded works in Russian literature. The poignant 'The Lady with the Little Dog' and 'About Love' examine the nature of love outside of marriage - its romantic idealism and the fear of disillusionment. And in stories such as 'Peasants', 'The House with the Mezzanine' and 'My Life' Chekhov paints a vivid picture of the conditions of the poor and of their powerlessness in the face of exploitation and hardship.

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need. 

"The unknown masterpiece", or "Le chef-d'œuvre inconnu", is a story by the French author Honoré de Balzac. This short text was of tremendous importance in the world of art, for it holds a groundbreaking reflection about artistic creation: what does completion or failure mean, and how is it that technique does not guarantee either. Paul Cézanne famously said "I am Frenhofer", identifying with the old master around which the story revolves. Pablo Picasso himself was absolutely fascinated by the text, so much that he had his studio moved in the Parisian street named in the story; there, he painted his own masterpiece, Guernica.

In Moscow an unknown author approaches a publisher (the narrator), asking him to read and publish his manuscript. The narrator agrees to read it before the author returns three months later. At the heart of the story in the manuscript is a love triangle and themes of corruption, concealed love, and fatal jealousy. When one of the central characters is discovered dead, the narrative becomes a murder-mystery as the search for the culprit begins.