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Thunderclap

A memoir of art and life & sudden death

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Thunderclap

By: Laura Cumming
Narrated by: Laura Cumming
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About this listen

Brought to you by Penguin.

'We see with everything that we are'

On the morning of 12 October 1654, in the Dutch city of Delft, a sudden explosion was followed by a thunderclap that could be heard more than seventy miles away. Carel Fabritius - now known across the world for his exquisite painting, The Goldfinch - had been at work in his studio. He, along with many others, would not survive the day.

In Thunderclap, Laura Cumming reveals her passion for the art of the Dutch Golden Age and her determination to lift up the reputation of Fabritius. She reveals the Netherlands, where - wandering the narrow streets of Amsterdam, driving across the flatlands, or pausing at a quiet waterfront - she encounters the rich reality behind the shining beauty of Vermeer and Rembrandt, Hals and de Hooch. She shares too her relationship with her father, the Scottish artist James Cumming, who had his own deep connection to Dutch painting, and who taught her about colour, light and the rewards of looking deeply.

This is a book about what a picture may come to mean: how it can enter your life and change your thinking in a thunderclap, a sudden clarity of sight. This is also a book about the precariousness of human life - the way it may be snatched from us in an instant. What can art do to sustain us? The work that survives tells its own compelling story in these pages.

_____________________

From the Sunday Times-bestselling author of On Chapel Sands, shortlisted for the Costa Prize for Biography. Praise for On Chapel Sands:


'Cumming skilfully withholds key twists in the tale, revealing them at just the right moment' The Times

'Outstanding . . . A peerless detective story that keeps you guessing to the end' Sunday Times

Praise for The Vanishing Man, winner of the James Tait Black Prize:


'Superb and original' Sunday Times

'Sumptuous . . . A gleaming work of someone at the peak of her craft' New York Times

©2023 Laura Cumming (P)2023 Penguin Audio

Art Art & Literature Europe Journalists, Editors & Publishers Memoir

Critic Reviews

A book that often borders on the sublime in its sentiment and beauty
This is an extraordinary book, full of beauty and feeling and immediacy and depth (and impressive detective work)...Thunderclap is a work of genius (India Knight)
One of the most captivating books I have ever read… Delightful, intimate, and dotted with beautiful art. A wonderful read (or a great present) for anyone who loves stories and art
Cumming is a word-painter ... When something fascinates Laura Cumming, she makes sure, with her beguiling prose, that we too are caught up in her fascination
Cumming clearly loves these paintings, and by weaving together vivid evocations of ones that particularly move her with brief biographies of the men and women who painted them, she invites us to share that love
Exquisite... [Cumming's] pages are themselves lovely exercises in poetic vision and stay with you long after you finish (Simon Schama, author of BELONGING)
[A] lustrous meditation on the lives and after-lives of artists ... with a novelist's pace, a critic's eye, a daughter's heart
A superb tribute to the masterpieces of the Dutch Golden Age, and the father who taught her how to see them ... In asking why we return to paintings across decades and centuries, this book taught me to see anew
[A] fascinating amalgam of insightful art appreciation and a haunting personal story
An intriguing, ambitious and tender blend of art history and personal memoir, this beautifully illustrated book is one to read and re-read
All stars
Most relevant
Beautifully read by the author, this extraordinary evocation of C17th Delft, weaves the life and work of the painter Fabritius and his Flemish contemporaries - including Vermeer, de Hooch and Rembrandt- with that of her artist father who nurtured her love of Dutch still life painting. Cumming concludes her paean to the genre with findings from conservation science that link the title of the book to Fabritius’ most famous surviving painting “The Goldfinch”.

A tour de force

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An author has every right to choose to supplant an experienced voice actor to read their own book. Sometimes it’s an excellent decision. In this case I felt completely overwhelmed by the overly melodramatic and amateur reading style. No matter how interesting the proffered insight, the more intrusive the untrained voice became. I often felt embarrassed when a personal and familial description was shared.
Nonetheless, I have now bought the hardback version as well so that the pictures so lovingly described could be viewed ‘on site’ instead of interrupting the listen with a visit to the internet. I’m still in two minds as to whether paintings should be wholly dependent on a word description. Even a photograph, however better to have rather than nothing at all, still is disappointing compared to an original. Words are very powerful but not enough, for me, to encapsulate a painting.

Informative and a pleasant amble alongside an enthusiast.

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A skilful melding of art historical and personal memoir highlighting Fabritius and his short tragic life as well as his unparalleled talent.

Engaging

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A beautifully crafted book that weaves personal history with one of the most intriguing eras of art production. As a painter, I have enjoyed listening to this whilst working in the studio.

Art and life meet

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