Twelfth-century Europe. Newly crowned King Philip of France is determined to restore his nation to its former empire and bring glory to his name. But when his greatest enemy, King Henry of England, threatens to end his reign before it can even begin, Philip is forced to make a precarious alliance with Henry’s volatile son—risking both his throne, and his heart.

Best friends (and occasional lovers) Ezra and Orson are teetering on top of the world after founding a company that promises instant enlightenment in this thrilling caper about scams, schemes, and the absurdity of the American Dream. At seventeen, Ezra Green doesn’t have a lot going for him: he’s shorter than average, snaggle-toothed, internet-addicted, and halfway to being legally blind. He’s also on his way to Last Chance Camp, the final stop before juvie.

For years Mamie Künstler, ninety-three-years-old, as clever and glamorous as ever, has lived happily in her bungalow in Venice, California, with her inscrutable housekeeper and her gigantic St. Bernard dog. Their tranquility is upended when Mamie’s grandson, Julian, arrives from New York City. Like many a twenty-something, he has come to seek his fortune in Hollywood. But it is 2020, the global pandemic sweeps in, and Julian’s short visit suddenly has no end in sight.

From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.

An intimate portrait of a celebrated magic life and the famous and infamous who dropped in, summered, traveled with, played with, and the decades of friendship with everyone from Truman Capote and Robert Penn Warren to the Kennedys, the Bernsteins, Alexander Calder, John Hersey, and Lillian Hellman.

In Oscar Wars, Michael Schulman chronicles the remarkable, sprawling history of the Academy Awards and the personal dramas—some iconic, others never-before-revealed—that have played out on the stage and off camera. Unlike other books on the subject, each chapter takes a deep dive into a particular year, conflict, or even category that tells a larger story of cultural change, from Louis B. Mayer to Moonlight. Schulman examines how the red carpet runs through contested turf, and the victors aren't always as clear as the names drawn from envelopes.

In deeply personal essays drawn from his life as well as his career on Broadway and in Hollywood, Rannells argues that we all pretend—for friends, partners, parents, and others—that we are constantly succeeding in the process known as “adulting.” But if this acting is leaving us unfulfilled, then we need new markers of time, new milestones, new expectations of what adulthood is and can be.

Daisy and Craig’s marriage is in serious trouble. That’s why Daisy has signed up for The Eden Test, a week-long getaway for couples in need of a fresh start. Yet even as she’s struggling to salvage her marriage, it seems Craig has plans to leave her for another woman. In fact, his bags are already packed—long before he arrives to meet Daisy in this remote cabin in the woods of upstate New York. At first, their week away is marked by solitude, connection, and natural beauty—and only a few hostile locals. But what Craig doesn’t know is that Daisy, a slyly talented actress, has her own secrets.

The Rachel Incident is an all-consuming love story. But it's not the one you're expecting. It's unconventional and messy. It's young and foolish. It's about losing and finding yourself. But it is always about love. When Rachel falls in love with her married professor, Dr Byrne, her best friend James helps her devise a plan to seduce him. But what begins as a harmless crush soon pushes their friendship to its limits. Over the course of a year they will find their lives ever more entwined with the Byrnes' and be faced with impossible choices and a lie that can't be taken back...

In the 1980s, the subways of New York City were covered with art. In the stations, black matte sheets were pasted over outdated ads, and unsigned chalk drawings often popped up on these blank spaces. These temporary chalk drawings numbered in the thousands and became synonymous with a city as diverse as it was at war with itself, beset with poverty and crime but alive with art and creative energy. And every single one of these drawings was done by Keith Haring.