1740s France and England—the age of hedonism and enlightenment. Antonia must flee the Court of Versailles and the predatory schemes of the Comte de Salvan. She orchestrates an escape with the unwitting assistance of the all-powerful Duke of Roxton, a man she has been warned against as too dangerous for her to know.

At the end of his Grand Tour, somewhere between Athens and Constantinople, Christian Selwyn, the young Earl of Hazelmere, vanished—seemingly without trace. Time passes. In London, his uncle and cousin move into his home, while his unofficial fiancée, Sophia, is left desolate and in limbo.

She wanted sanctuary... Helena Reynolds will do anything to escape her life in London, even if that means traveling to a remote cliffside estate on the North Devon coast and marrying a complete stranger. But Greyfriar's Abbey isn't the sort of refuge she imagined. And ex-army captain Justin Thornhill - though he may be tall, dark, and devastatingly handsome - is anything but a romantic hero. He needed redemption... Justin has spent the last two decades making his fortune, settling scores, and suffering a prolonged period of torture in an Indian prison.

Evelyn Maltravers understands exactly how little she's worth on the marriage mart. As an incurable bluestocking from a family tumbling swiftly toward ruin, she knows she'll never make a match in a ballroom. Her only hope is to distinguish herself by making the biggest splash in the one sphere she excels: on horseback. In haute couture. But to truly capture London's attention she'll need a habit-maker who's not afraid to take risks with his designs - and with his heart.

Hidden away in rural Devonshire, Phyllida Satterthwaite has always been considered more odd than beautiful. But in London, her oddity has made her a sensation. Far worse, it’s caught the eye of the sinister Duke of Moreland - a notorious art collector obsessed with acquiring one-of-a-kind treasures. To escape the duke’s clutches, she’s going to need a little help. Captain Arthur Heywood’s days of heroism are long past. Grievously injured in the Peninsular War, he can no longer walk unaided, let alone shoot a pistol. What use can he possibly be to a damsel in distress?

1740s France and England - the age of hedonism and enlightenment. Renard, Duke of Roxton, is wealthy beyond measure. Arrogant and self assured, his heart remains his own. Optimistic and headstrong, Antonia Moran is determined to flee the Court of Versailles with the Duke's unwitting assistance. Roxton is an unlikely savior - arrogant, promiscuous, and sinister. Antonia's unquestioning belief in him may just be his salvation, and her undoing.

Lord Farnsworth would rather rot in debtor’s prison than sell the one place that feels like home to him - his mother’s manor. That is, until he meets the woman who wants to buy it. Sally Duncan is beautiful, intelligent, and as rich as a baron. All he needs to do is sell her his beloved manor and then charm her to the altar, and the manor will be his again. Simple, right? But nothing is simple when Sally starts tearing apart his ancestral home and renovating it in a way no one would consider tasteful.

Someone is misusing Max Brandon’s name - resulting in bills for services he never ordered and goods he did not buy. For reasons he can't begin to guess, he has become the victim of some unknown person's campaign of persecution. When the games move closer to home, almost forcing him to fight a duel...more particularly, when they draw in Frances Pendleton, a lady he never expected to see again...Max vows to catch the man behind them, no matter what the cost.

Trevor Hunt, the Duke of Ridgely, has been called many things, most of which are true. Reviled by his family, hated by many, he's earned his reputation in the seedy streets of London and more than his fair share of bedchambers. But battling deadly foes and irate husbands failed to prepare the duke for the most troublesome role he's played yet: guardian to one maddening hoyden.

Selena Lockhart comes with neither fortune nor connections, and she knows better than to expect society to give her a welcome—especially after her father gambled away his fortune, precipitating the family’s sudden fall from grace and Selena’s betrothed to break off the engagement. It therefore comes as no surprise that her new neighbor, Sir Lucius, treats her with disdain. Why should he look beyond appearances when her own promises so little?