Upon inheriting the Moonstone, a huge and priceless diamond, Rachel Verinder's delight turns to dismay when the gem suddenly disappears. But this is no ordinary theft. Sergeant Cuff of Scotland Yard is called in and immediately suspects an intricate plot. However, not even his powers of detection can penetrate fully the mysteries surrounding the diamond.

Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life? 

Seven BBC Radio 4 full-cast dramatisations of P. D. James' acclaimed mysteries, plus P. D. James in Her Own Words. This collection includes: Cover Her Face, A Taste for Death, Devices and Desires, A Certain Justice, The Private Patient, An Unsuitable Job for a Woman and The Skull Beneath the Skin.

Magdalen and Norah Vanstone have known only comfort and affluence for their entire lives. Orphaned suddenly following the unexpected deaths of their parents, the illegitimate sisters find themselves flung into the other extreme of living: their father had neglected to amend his will following their parents' recent marriage, leaving them with nothing, and their bitter, estranged uncle, the legal inheritor of the family fortune, mercilessly refuses them support. 

Vanity Fair, with its rich cast of characters, takes place on the snakes-and-ladders board of life. Amelia Sedley, daughter of a wealthy merchant, has a loving mother to supervise her courtship. Becky Sharp, an orphan, has to use her wit, charm, and resourcefulness to escape from her destiny as a governess. This she does ruthlessly, musing: "I think I could become a good woman, if I had £5,000 a year."

Young, bookish Sylvia Beach knows there is no greater city in the world than Paris. But when she opens an English-language bookshop on the bohemian Left Bank, Sylvia can't yet know she is making history. Many leading writers of the day, from Ernest Hemingway to Gertrude Stein, consider Shakespeare and Company a second home. Here some of the most profound literary friendships blossom - and none more so than between James Joyce and Sylvia herself.

It's 1920, and Christmas is coming. Major Lennox finds a body on his doorstep - why on his doorstep? Was it to do with the Countess? Was it about the ruby necklace? Lennox goes to Melrose Court, home to his uncle, Lord Melrose, to uncover the mystery. But then, the murders begin, and it snows, and it all becomes very complicated.

After escaping from the dark and dismal workhouse where he was born, Oliver finds himself on the mean streets of Victorian-era London and is unwittingly recruited into a scabrous gang of scheming urchins. In this band of petty thieves, Oliver encounters the extraordinary and vibrant characters who have captured audiences' imaginations for more than 150 years.

Countess Ellen Olenska, separated from her European husband, returns to old New York society. She bears with her an independence and an awareness of life which stirs the educated sensitivity of the charming Newland Archer, engaged to be married to her cousin, May Welland. Though he accepts the society's standards and rules he is acutely aware of their limitations. He knows May will assure him a conventional future but Ellen, scandalously separated from her husband, forces Archer to question his values and beliefs.

Maggie Tulliver has two lovers: Philip Wakem, son of her father’s enemy, and Stephen Guest, already promised to her cousin. But the love she wants most in the world is that of her brother Tom. Maggie’s struggle against her passionate and sensual nature leads her to a deeper understanding and to eventual tragedy

In Madame Bovary, one of the great novels of 19th-century France, Flaubert draws a deeply felt and sympathetic portrait of a woman who, having married a country doctor and found herself unhappy with a rural, genteel existence, longs for love and excitement. However, her aspirations and her desires to escape only bring her further disappointment and eventually lead to unexpected, painful consequences. Flaubert’s critical portrait of bourgeois provincial life remains as powerful as ever

Twelve BBC Radio 4 full-cast dramatisations of short stories by the Queen of Crime. First broadcast in the early 2000s, the stories were adapted and brought up-to-date for a contemporary audience. The stories are 'Philomel Cottage'; 'Swan Song'; 'Magnolia Blossom'; 'Witness for the Prosecution'; 'The Gates of Baghdad'; 'The Hounds of Death'; 'In a Glass Darkly'; 'The Dressmaker's Doll'; 'The Case of the Perfect Carer'; 'The £199 Adventure'; 'The Gypsy'; and 'The Last Seance'. Duration: 6 hours approx.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

This is the story of a young country workman obsessed by his ambition to become an Oxford student, interwoven with his fraught relationships with two women.

William Dorrit has been a resident of the Marshalsea debtors prison for so many years that he has gained the nickname "The Father of the Marshalsea". However, his suffering is eased by his close bond with youngest daughter Amy, or "Little Dorrit". The dashing Arthur Clennam, returning to London after many years in China, enters their lives and the Dorrits' fortunes begin to rise and fall. A biting satirical work on the shortcomings of 19th century government and society.