Jen Williams, acclaimed author of The Copper Cat trilogy, featuring The Copper Promise, The Iron Ghost and The Silver Tide, returns with the first in a blistering new trilogy. The great city of Ebora once glittered with gold. Now its streets are stalked by wolves. Tormalin the Oathless has no taste for sitting around waiting to die while the realm of his storied ancestors falls to pieces - talk about a guilt trip. Better to be amongst the living, where there are taverns full of women and wine.

Every year, each village is required to send a young woman to the Empire's capital - her fate to be burned alive for the entertainment of the masses. For the last five years, one small village's tithe has been the same woman. Gilene's sacrifice protects all the other young women of her village, and her secret to staying alive lies with the magic only she possesses. But this year is different. Azarion, the Empire's most famous gladiator, has somehow seen through her illusion - and is set on blackmailing Gilene into using her abilities to help him escape his life of slavery.

Rhode Island, 1846. Estranged from his family, writer Merritt Fernsby is surprised when he inherits a remote estate in the Narragansett Bay. Though the property has been uninhabited for more than a century, Merritt is ready to call it home—until he realizes he has no choice. With its doors slamming shut and locking behind him, Whimbrel House is not about to let Merritt leave. Ever.

When the fourth princess of Istalam is due to dedicate herself to a path serving the crown, she makes a choice that shocks everyone, herself most of all: She leaves. In hiding and exiled from power, Miyara finds her place running a tea shop in a struggling community that sits on the edge of a magical disaster zone. But there's more brewing under the surface of this city—hidden magic and hidden machinations—that threaten all the people who've helped her make her own way.

Giovanna’s pretty face is changing, turning ugly, at least so her father thinks. Giovanna, he says, is looking more like her Aunt Vittoria every day. But can it be true? Is she really changing? Will she turn out like her despised Aunt Vittoria, a woman she hardly knows but whom her mother and father have spent their whole lives avoiding and deriding? There must be a mirror somewhere in which she can see herself as she truly is.