A guide to the art of personal writing, by the author of Fierce Attachments and The End of the Novel of Love.
All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator but in nonfiction the reader must always be persuaded that the narrator is speaking truth.
How does one pull from one's own boring, agitated self the truth-speaker who will tell the story a personal narrative needs to tell? That is the question The Situation and the Story asks - and answers. Taking us on a reading tour of some of the best memoirs and essays of the past hundred years, Gornick traces the changing idea of self that has dominated the century, and demonstrates the enduring truth-speaker to be found in the work of writers as diverse as Edmund Gosse, Joan Didion, Oscar Wilde, James Baldwin, or Marguerite Duras.
This book, which grew out of 15 years teaching in MFA programs, is itself a model of the lucid intelligence that has made Gornick one of our most admired writers of nonfiction. In it, she teaches us to write by teaching us how to read: how to recognize truth when we hear it in the writing of others and in our own.
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- Emily Valentine
Maybe it's just me but Vivian Gornick's writing in this comes off as bit patronising and uppity. The book discusses what memoir writing is and why Gornick feels some excerpts of memoir work and their meaning and what a memoir writer is trying to achieve with each piece. I can imagine that for some people this would help them better understand memoir writing but you could also just learn from reading/listening to an actual memoir or biography.