"If you were to go into your bedroom tonight - perhaps by candlelight - and sit quietly before the large mirror, you might see what I have seen." The image in the mirror of 14-year-old Elizabeth Cuttner is that of the fey and long-dead Frances, who introduces Elizabeth to her chilling world of the supernatural. Through Frances, Elizabeth learns what it is to wield power - power of a kind that is malevolent and seemingly invincible. Power that begins with the killing of her parents...

When photographer Jonathan Brewster’s four-year-old daughter, Joanne, tells him about her new invisible friends, he doesn’t think too much about it. But then he sees them for himself: weird and uncanny images of the dead appearing in his photographs. The apparitions seem to have some connection to Childgrave, a remote village in upstate New York with a deadly secret dating back three centuries. Jonathan and Joanne feel themselves oddly drawn to Childgrave, but will they survive the horrors that await them there?

After the death of their infant son, Hal and Rowan Graham decide to leave the mad bustle of London and move to a quiet country refuge. And the rustic village of Moorstone seems perfect. Too perfect? Lying beneath a hill capped by an enormous stone, Moorstone hides mysterious secrets. Why does such a small town need such a large insane asylum? Why do the village's elderly residents leave everything they own to young newcomers they barely know? And why is everyone so friendly, so handsome, and so preoccupied with Hal and Rowan's health?

For two centuries, the body of Sir Martin Railstone, poet, artist, and libertine, has lain undisturbed in its crypt, amidst rumours that important artistic works of genius are buried with him. The Church of England has refused to allow the opening of the tomb, believing that Railstone was a murderer and dabbler in the black arts, and that anything buried with him must be diabolical in nature.

An account of his journey through England – from Southampton to the Black Country, to the North East and Newcastle, to Norwich and home – English Journey is funny and tender. But it is also a forensic reading of a changing England and a call to arms as passionate as anything in Orwell’s bleak masterpiece. Moreover, it both captured and catalysed the public mood of its time. In capturing and describing an English landscape and people hitherto unseen, Priestley influenced the thinking and attitudes of an entire generation.