Sarah Thornhill is the youngest child of William Thornhill, convict-turned-landowner on the Hawkesbury River. Her stepmother calls her wilful, but handsome Jack Langland loves her and she loves him. 'Me and Jack', she thinks. 'How could it go wrong?' But there's an ugly secret in Sarah's family. That secret takes her into the darkness of the past, and across the ocean to the wild coasts of New Zealand.

In 1806 William Thornhill, a man of quick temper and deep feelings, is transported from the slums of London to New South Wales for the term of his natural life. With his wife, Sal, and their children he arrives in a harsh land he cannot understand. But the colony can turn a convict into a free man. Eight years later Thornhill sails up the Hawkesbury to claim 100 acres for himself. Aboriginal people already live on that river. And other recent arrivals - Thomas Blackwood, Smasher Sullivan, and Mrs Herring - are finding their own ways to respond to them.

David Malouf shines new light on Homer’s Iliad, adding twists and reflections, as well as flashes of earthy humour, to surprise and enchant. In this exquisite gem of a novel, Achilles is maddened by grief at the death of his friend Patroclus. From the walls of Troy, King Priam watches the body of his son, Hector, being dragged behind Achilles’ chariot. There must be a way, he thinks, of reclaiming the body - of pitting compromise against heroics, new ways against the old, and of forcing the hand of fate.  

What if Elizabeth Macarthur – wife of the notorious John Macarthur, wool baron in early Sydney – had written a shockingly frank secret memoir? In her introduction Kate Grenville tells, tongue firmly in cheek, of discovering a long-hidden box containing that memoir. What follows is a playful dance of possibilities between the real and the invented. Grenville's Elizabeth Macarthur is a passionate woman managing her complicated life-marriage to a ruthless bully, the impulses of her own heart and the search for power in a society that gave her none - with spirit, cunning and sly wit.

Enduring sweltering heat, fending off poisonous snakes and lecherous men, chasing her camels when they get skittish and nursing them when they are injured, Davidson emerges as an extraordinarily courageous heroine driven by a love of Australia's landscape, an empathy for its indigenous people, and a willingness to cast away the trappings of her former identity. Tracks is the compelling, candid story of her odyssey of discovery and transformation.

After 20 years spent mastering the art of dressmaking at couture houses in Paris, Tilly Dunnage returns to the small Australian town she was banished from as a child. She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar.

Set in the eccentric backwater of Karakarook (pop. 1,374), New South Wales, this is the story of Douglas Cheeseman, a shy and clumsy engineer with jug-ears who meets Harley Savage, a woman who is known for being rather large and abrupt. Douglas is there to pull down a quaint old bridge, and Harley aims to foster heritage. They are clearly on a collision course - but when they meet they are unaware that something unexpected is going to happen....

After four harrowing years on the Western Front, Tom Sherbourne returns to Australia and takes a job as the lighthouse keeper on Janus Rock, nearly half a day’s journey from the coast. To this isolated island, where the supply boat comes once a season, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby’s cries on the wind. A boat has washed up onshore carrying a dead man and a living baby.

It is early 1942, and Australia is in the midst of war. While working at a Japanese hospital in the port of Broome, Dr. Ibaraki is arrested and sent to Loveday internment camp in a remote corner of South Australia. As tensions at the isolated camp escalate, the doctor's beliefs are thrown into question, and he is forced to confront his past: the promise he made in Japan and its devastating consequences.

From prize - winning short - story writer Cate Kennedy comes a new collection to rival her highly acclaimed Dark Roots. In Like a House on Fire, Kennedy once again takes ordinary lives and dissects their ironies, injustices and pleasures with her humane eye and wry sense of humour. In Laminex and Mirrors, a young woman working as a cleaner in a hospital helps an elderly patient defy doctor's orders. In Cross - Country, a jilted lover manages to misinterpret her ex's new life.

In 1936, intrepid young Australian journalist Nancy Wake is living in Paris after witnessing firsthand the terror of Hitler’s rise in Europe, firing her resolve to join the fight to defeat the Nazis. When Nancy falls in love with a handsome French industrialist, no sooner has she become Mrs. Henri Fiocca than the Germans invade and Nancy adopts another name, a codename - the first of many. 

A 14-year-old boy vanishes on his way home from school. His frantic mother receives a ransom call: pay or else. It's only hours before the deadline, and the police have no leads. Enter Timothy Blake, code name Hangman. Blake is a genius, known for solving impossible cases. He's also a psychopath with a dark secret and the FBI's last resort. But this time Blake might have met his match.

A lively history of the 'First Fleet' which took convicts from Britain to Australia in 1787; Sydney's early years as 'an open-air prison'; and the colonisation of New South Wales. 

The story of modern Australia begins in 18th-century Britain, where people were hanged for petty offences but crime was rife and the gaols were bursting. From this situation was born the Sydney experiment, with criminals perceived to be damaging British society transported to Sydney, an 'open air prison with walls 14,000 miles thick'.  

Eleven ships were dispatched in 1781 and arrived in Australia after eight hellish months at sea. Tom Keneally describes the first four years of the 'thief colony' and how, despite the escapes, the floggings, the murders and the rebellions, it survived against the odds to create a culture which would never have been tolerated in its homeland but which, in Australia, became part of the identity of a new and audacious nation.

Susannah Parks - wife, mother, cleaner of surfaces and runner of household - is a viola virtuoso. Except she hasn't picked up a viola for over a decade. She has, however, picked up a lot of Lego, socks, wet towels and other exhibits of mundanity. She has also picked up on the possibility that her husband has lost interest in her. (And frankly, she's not very interested in Susannah Parks either.) But this year, she has resolved to be very interesting. Also thoughtful, useful, cheerful, relevant, self-sufficient, stylish, alluring and intelligent. 

Emma, a nurse and busy mother of three, has always dreamed of having a sister. Michelle, at 46, wonders if it's too late to fall in love and find her birth parents. Sarah, career woman and perfectionist homemaker, struggles to keep up with the Joneses. Bill, 72, feels left behind after the death of his adored wife. Adam can't stop thinking about the father he never had. These five very different people are all connected but separated by secrets from the past. Sisters and Brothers will both break and warm your heart in a way that only best-selling Australian storyteller Fiona Palmer can.