Diana Boyle, a wealthy young widow, has no desire to ever marry again. Particularly not to someone who merely wants her for her fortune. So when she discovers that she’s listed in a directory of rich, single women she is furious, and rightly so. She confronts Maxwell Dean, the man who published the Bachelor’s Directory, and is horrified to find he is far more attractive than his actions have led her to expect. However, Diana is unmoved by Max’s explanation that he authored the list to assist younger sons like himself who cannot afford to marry unless it’s to a woman of means.

In 1924, four-year-old Cecily Larson’s mother reluctantly drops her off at an orphanage in Chicago, promising to be back once she’s made enough money to support both Cecily and herself. But she never returns, and shortly after high-spirited Cecily turns seven, she is sold to a traveling circus to perform as the “little sister” to glamorous bareback rider Isabelle DuMonde. With Isabelle and the rest of the circus, Cecily finally feels she’s found the family she craves.

Emma hasn't told her husband much about her past. He knows her parents are dead and she hasn't spoken to her sisters in years. Then they lose their apartment, her husband gets laid off, and Emma discovers she's pregnant—right as the bank account slips into the red. That's when Emma confesses that she has one more asset: her parents' house, which she owns jointly with her estranged sisters. They can't sell it, but they can live in it. But returning home means that Emma is forced to reveal her secrets to her husband.

In a remote corner of France, Jewish refugee Ella Rosenthal has finally found a safe haven. It has been three years since she and her little sister, Hanni, left their parents to flee Nazi Germany, and they have been pursued and adrift in the chaos of war ever since. Now, they shelter among one hundred other young refugees in a derelict castle overseen by the Swiss Red Cross. 

Fiona and Violet Seng were just children when their family’s Cessna crash-landed in the Washington wilderness, claiming the lives of their parents. For twelve harrowing weeks, the girls fended for themselves before being rescued. Twenty-five years later, they’re still trying to move on from the trauma. Fiona repurposes it into controversial works of art. Violet has battled addiction and failed relationships to finally progress toward normalcy as a writer. The estranged sisters never speak about what they call their Alone Time in the wild.