Librarian Sylvia Ashe knows nothing about her past, having grown up without a father and a mother who refused to discuss him. When she stumbles upon a diary that suggests she's descended from magicians, she's skeptical. After all, magicians are special, and she's just an ordinary woman who loves books. She seeks answers from a member of the most prominent family of magicians, but she quickly learns that finding the truth won't be easy, especially when he turns out to be as artless as her, and more compelling and dangerous than books.

Nina Finch isn't suited for a life of crime. Raised by her art-forger brother, she can paint like Botticelli. But she'd so much rather be baking gooseberry tarts. She finally has the money she needs to open her own bakery. Unfortunately, her brother's carelessness lands her—and their forgeries—directly under the nose of London's most discerning art critic, Alan De'Ath. De'Ath knows the paintings are fake.

London, 1923. Newly minted research assistant Saffron Everleigh is the first woman to hold the position at University College of London. When she attends a dinner party for the school, she expects to engage in conversations about the university's large expedition to the Amazon. What she doesn’t expect is for Mrs. Henry, one of the professors’ wives, to drop to the floor, poisoned by an unknown toxin. Dr. Maxwell, Saffron’s mentor, is the main suspect, and evidence quickly mounts.

Katarina Ashowan was not made for courtly life. Sure, her father is the famous house witch of Daxaria so she was raised among majestic castles, proper manners, and royal expectations. But Kat is also a mutated witch whose power aligns predominantly with fire. She’s more comfortable riding horses or learning to fight than she is making polite conversation and wearing fancy dresses. Which is why her upcoming assignment—serving her best friend, Alina, the soon-to-be crowned Troivackian queen—is anything but ideal.

When Finlay Ashowan joins the staff of the King and Queen of Daxaria, he’s an enigma. No one knows where he comes from or how he came to be where he is, which suits Fin just fine. He’s satisfied simply serving as the royal cook, keeping nosy passersby out of his kitchen, and concocting some truly uncanny meals. But Fin’s secret identity doesn’t stay hidden for long. After all, it’s not every day a house witch and his kitten familiar, Kraken, take to meddling in imperial affairs.

It’s been twenty years since Finlay Ashowan, the fabled house witch of Daxaria, first cooked up supernatural hijinks in the castle at Austice. Since then, much has changed: the royal family now resides elsewhere, a tentative peace has been established with Troivack, and the crown princess, Alina, is ready to pick the perfect nobleman to be her husband. But Alina’s quest for her ideal consort is proving rather difficult.

Everyone knows who the magical estate will choose for its next ruler. Or do they? Will it be the lord’s eldest son, who he despised? His favourite nephew, with the strongest magical land-sense? His scandalous daughter, who ran away from home years ago to study illusion? Hetta knows it won’t be her, and she’s glad of it. Returning home for her father’s funeral, all Hetta has to do is survive the family drama and avoid entanglements with irritatingly attractive local men until the Choosing.

Pretty and pampered, Lavinia Yardley always dreamed of becoming a duchess. But family disgrace forces her into marriage with the most vile duke in England, and she finds herself desperate for a way out. When a rustic stranger mistakes her for globe-trotting botanist Muriel Pendrake at a train station, Lavinia has a split second to decide whether to submit to her fate or steal someone else's. 

December 1899. After the death of her beloved grandmother, Cleopatra Fox moves into the luxury hotel owned by her estranged uncle in the hopes of putting hardship and loneliness behind her. But the poisoning of a guest on Christmas eve throws her new life, and the hotel, into chaos. Cleo quickly realizes no one can be trusted, not Scotland Yard and especially not the hotel’s charming assistant manager.

When Sophie, the least interesting of the Talbot sisters, lands her philandering brother-in-law backside first in a goldfish pond in front of all society, she becomes the target of very public aristocratic scorn. Her only choice is to flee London, vowing to start a new life far from the aristocracy. Unfortunately, the carriage in which she stows away isn't saving her from ruin. It's filled with it.