All murder mysteries follow a simple set of rules. Grant McAllister, an author of crime fiction and professor of mathematics, once sat down and worked them all out. But that was 30 years ago. Now he's living a life of seclusion on a quiet Mediterranean island - until Julia Hart, a sharp, ambitious editor, knocks on his door. His early work is being republished and together the two of them must revisit those old stories: an author hiding from his past and an editor keen to understand it.

Nina once bought into the idea that her fancy liberal arts degree would lead to a fulfilling career. When that dream crashed, she turned to stealing from rich kids in LA alongside her wily Irish boyfriend, Lachlan. Nina learned from the best: her mother was the original con artist, hustling to give her daughter a decent childhood despite their wayward life. But when her mom gets sick, Nina puts everything on the line to help her, even if it means running her most audacious, dangerous scam yet. 

The Glass Hotel begins at the end, with a fall: a woman plummeting from the deck of a cargo ship, her body quickly swallowed by the sea. It is a death that happens between continents, outside of jurisdictions: a death that will likely go unremarked and unsolved. Years earlier a massive Ponzi scheme implodes in New York, taking with it the finances, hopes, and lives, of hundreds of people. The Glass Hotel is a novel about the interconnected lives tangled up in two very different tragedies.

Six years after the fight that ended their friendship, Daphne Berg is shocked when Drue Cavanaugh walks back into her life, looking as lovely and successful as ever, with a massive favour to ask. Daphne hasn't spoken one word to Drue in all this time - she doesn't even hate-follow her ex-best friend on social media - so when Drue asks if she will be her maid of honour at the society wedding of the summer, Daphne is rightfully speechless.

Giovanna’s pretty face is changing, turning ugly, at least so her father thinks. Giovanna, he says, is looking more like her Aunt Vittoria every day. But can it be true? Is she really changing? Will she turn out like her despised Aunt Vittoria, a woman she hardly knows but whom her mother and father have spent their whole lives avoiding and deriding? There must be a mirror somewhere in which she can see herself as she truly is.