This is one of the Victorian “sensationalist” novels by Mary Elizabeth Braddon, the best known among them being Lady Audley’s Secret. It is extremely well-written, fluid, humorous and, in places, self-mocking: one of the main characters is a sensation author. The motifs of the-woman-with-a-secret, adultery, and death are classic “sensationalist” material.
Yet, this is also a self-consciously serious work of literature, taking on various social themes of the day. Specifically, Braddon presents the psychological struggle and cognitive dissonance which are the inevitable plight of the married middle-class woman with a strong sense of self, who is essentially constrained to live the life of her husband. In this, it echoes Flaubert’s “Madame Bovary”.
The heroine, Isabel Sleaford, was driven early in her childhood to bury herself in, and develop her sense of self through, romantic novels and poetry. She is, thus, ill-adapted to the conventional, provincial structures and strictures laid upon her when she marries the very good and adoring, but also boring and unimaginative, Dr. George Gilbert. Isabel forms friendships with men (including her husband's best friend) who are more amenable to her romantic inclinations and, inevitably, encounters social condemnation as a result.
The book shows how life’s tragedies and the world’s cruel judgments shape Isabel as she grows more mature, somewhat embittered, but also - true to her nature - beautifully resilient.
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It’s unusual for an author to return from the dead to narrate her own work, but according to Audible, that’s what Mrs Braddon has done, acquiring an American accent and very slow diction in the Afterworld. I couldn’t listen to it and returned the book
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