1826. The sun is setting on the golden age of piracy, and the legendary Dragon Fleet, the scourge of the South China Sea, is no more. Its ruthless leader, a woman known only as the Head of the Dragon, is now only a story, like the ones Xiang has grown up with all her life. She desperately wants to prove her worth, especially to her mother, a shrewd businesswoman who never seems to have enough time for Xiang.

Zuri Benitez has pride. Brooklyn pride, family pride, and pride in her Afro-Latino roots. But pride might not be enough to save her rapidly gentrifying neighborhood from becoming unrecognizable. When the wealthy Darcy family moves in across the street, Zuri wants nothing to do with their two teenage sons, even as her older sister, Janae, starts to fall for the charming Ainsley. She especially can’t stand the judgmental and arrogant Darius. Yet as Zuri and Darius are forced to find common ground, their initial dislike shifts into an unexpected understanding.

Marcelo Sandoval hears music no one else can hear - part of the autism-like impairment no doctor has been able to identify - and he's always attended a special school where his differences have been protected. But the summer after his junior year, his father demands that Marcelo work in his law firm's mailroom in order to experience "the real world."

Princess Guinevere has come to Camelot to wed a stranger: the charismatic King Arthur. With magic clawing at the kingdom's borders, the great wizard Merlin conjured a solution - send in Guinevere to be Arthur's wife...and his protector from those who want to see the young king's idyllic city fail. The catch? Guinevere's real name - and her true identity - is a secret. She is a changeling, a girl who has given up everything to protect Camelot.  

"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So begins Pride and Prejudice and Zombies, an expanded edition of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem.

As featured in the Oscar-nominated documentary Crip Camp, and for fans of I Am Malala, one of the most influential disability rights activists in US history tells her story of fighting to belong.  

Richard doesn’t have a past. For him, there is only the present: a new marriage to Tamara, a first chance at fatherhood to her son, Elijah, and a quiet but pleasant life as an art teacher at Elijah’s elementary school in Danvers, Virginia. Then the body of a rabbit, ritualistically murdered, appears on the school grounds with a birthday card for Richard tucked beneath it. Richard doesn’t have a birthday - but Sean does.... Sean is a five-year-old boy who has just moved to Greenfield, Virginia, with his mother.  

Our narrator produces a sound from the piano no one else at the Conservatory can. She employs a technique she learned from her parents—also talented musicians—who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future for a job at a high-end beauty and wellness store in New York City.

Sloan and Cherry. Cherry and Sloan. They met only a few days before masked men with machetes attacked the summer camp where they worked, a massacre that left the rest of their fellow counselors dead. Now, months later, the two are inseparable, their traumatic experience bonding them in ways no one else can understand. But as new evidence comes to light and Sloan learns more about the motives behind the ritual killing that brought them together, she begins to suspect that her girlfriend may be more than just a survivor—she may actually have been a part of it.

Okiku wants vengeance...and she gets it. Whenever there's a monster hurting a child - the same way she was hurt 300 years ago in Japan - her spirit is there to deliver punishment. But one American boy draws her like no other. The two are pulled into a world of eerie doll rituals and dark Shinto exorcisms that will take them from the American Midwest to the remote valleys and shrines of Aomori, Japan. The boy is not a monster, but something evil writhes beneath his skin, trapped by a series of intricate tattoos.