In 1860, long after the United States outlawed the importation of enslaved laborers, 110 men, women, and children from Benin and Nigeria were captured and brought to Mobile, Alabama, aboard a ship called Clotilda. Their journey includes the savage Middle Passage and being hidden in the swamplands along the Alabama River before being secretly parceled out to various plantations, where they made desperate attempts to maintain both their culture and also fit into the place of captivity to which they'd been delivered.

In publishing-speak, here's what we at the LQ office sometimes describe as the Queer lovechild of Sholem Aleichem and Philip Roth: Uriel the angel and Little Ash (short for Ashmedai) are the only two supernatural creatures in their shtetl (which is so tiny, it doesn't have a name other than Shtetl). The angel and the demon have been studying together for centuries, but pogroms and the search for a new life have drawn all the young people from their village to America. When one of those young emigrants goes missing, Uriel and Little Ash set off to find her.

Milo Connolly has managed to survive most of high school without any major disasters, so by his calculations, he’s well past due for some sort of Epic Teenage Catastrophe. Even so, all he wants his senior year is to fly under the radar. Everything is going exactly as planned until the dreamy and charismatic Marcos Price saunters back into his life after a three-year absence and turns his world upside down.

After years of scraping by, Caleb Murphy has graduated from college and is finally getting to start a new life. Except he suddenly has no way to get from Boston to Los Angeles. Then, to add to his misery, there’s perfect, privileged Peter Cabot offering to drive him. Peter Cabot would do pretty much anything to skip out on his father’s presidential campaign, including driving across the country with a classmate who can’t stand him. After all, he’s had plenty of practice with people not liking him much - his own family, for example.

A sex and relationship columnist bares it all in a series of essays—part memoir, part manifesto—that explore the author’s coming of age and coming out as a bisexual man and move toward embracing and celebrating sex unencumbered by shame.

Moving from a Midwestern college to the Stonewall Tavern on the night of the first gay uprising - and populated by eloquent queens, butch poseurs, and a fearfully incompetent shrink - The Beautiful Room is Empty conflates the acts of coming out and coming of age.

Twelve-year-old Adela “Addie” Ramírez has a big decision to make when her stepfather proposes adoption. Addie loves Alex, the only father figure she’s ever known, but with a new half brother due in a few months and a big school theater performance on her mind, everything suddenly feels like it’s moving too fast. She has a million questions, and the first is about the young man in the photo she found hidden away in her mother’s things.

Jay is living his best life at Karloff Country, one of the world’s most famous resorts. He’s got his family, his crew, and an incredible after-school job at the property’s main theme park. Life isn’t so great for the rest of the world, but when people come here to vacation, it’s to get away from all that. As things outside get worse, trouble starts seeping into Karloff. First, Jay’s friend Connie and her family disappear in the middle of the night and no one will talk about it. Then the richest and most powerful families start arriving, only... they aren’t leaving.

Crest is not excited to be on their Journey: the month-long sojourn on land all teen merfolk must undergo. The rules are simple: Help a human within one moon cycle and return to Pacifica to become an Elder—or fail and remain stuck on land forever. Crest is eager to get their Journey over and done with. Humans are disgusting. They’ve polluted the planet so much that there’s a floating island of trash that’s literally the size of a country.

Jackson Ghasnavi is a lot of things—a techie, a smoothie afficionado, a totally not obsessive list-maker—but one thing he’s not is a romantic. And why would he be? He’s already had a front row seat to his parents’ divorce and picked up the pieces of his sister Jasmine’s broken heart one too many times.