Living on her family’s idyllic lakeside estate in Cornwall, England, Alice Edevane is a bright, inquisitive and precociously talented 16-year-old who loves to write stories. One midsummer’s eve, after a beautiful party drawing hundreds of guests to the estate has ended, the Edevanes discover that their youngest child, 11-month-old Theo, has vanished without a trace. He is never found, and the family is torn apart and the house abandoned.

England, 1959. Laurel Nicolson is 16 years old, dreaming alone in her childhood tree house during a family celebration at their home, Green Acres Farm. She spies a stranger coming up the long road to the farm and then observes her mother, Dorothy, speaking to him. And then she witnesses a crime. Fifty years later, Laurel is a successful and well-regarded actress, living in London. She returns to Green Acres for Dorothy’s ninetieth birthday and finds herself overwhelmed by memories and questions she has not thought about for decades.

Thirty-eight year old Cassandra is lost, alone, and grieving. Her much loved grandmother, Nell, has just died and Cassandra, her life already shaken by a tragic accident 10 years ago, feels like she has lost everything known and dear to her.

Adelaide Hills, Christmas Eve, 1959. At the end of a scorching hot day, a local deliveryman makes a terrible discovery. A police investigation is called, and the small town of Tambilla becomes embroiled in one of the most shocking and perplexing murder cases in the history of South Australia. Many years later and thousands of miles away, Jess is a journalist in search of a story. Having lived and worked in London for nearly two decades, she now finds herself laid off from her full-time job and struggling to make ends meet. Until a phone call out of nowhere summons her back to Sydney.

Summer 1924. On the eve of a glittering society party by the lake of a grand English country house, a young poet takes his life. The only witnesses are sisters Hannah and Emmeline Hartford, and they will never speak to each other again. Winter 1999. Grace Bradley, 98, one-time housemaid of Riverton Manor, is visited by a young director making a film about the poet’s suicide. Ghosts awaken and memories, long consigned to the dark reaches of Grace’s mind, begin to sneak back through the cracks.

In 1914, when the war draws the young men of Britain away to fight, it is the women who must keep the nation running. Two of those women are Peggy and Maude, twin sisters who work in the bindery at Oxford University Press in Jericho. Peggy is intelligent, ambitious and dreams of going to Oxford University, but for most of her life she has been told her job is to bind the books, not read them. Maude, meanwhile, wants nothing more than what she has. She is extraordinary but vulnerable. Peggy needs to watch over her.

Celebrating her 45th birthday at her local pub, popular podcaster Alix Summers crosses paths with an unassuming woman called Josie Fair. Josie, it turns out, is also celebrating her 45th birthday. They are, in fact, birthday twins. A few days later, Alix and Josie bump into each other again, this time outside Alix's children's school. Josie has been listening to Alix's podcasts and thinks she might be an interesting subject for her series. She is, she tells Alix, on the cusp of great changes in her life.

Motherless and irrepressibly curious, Esme spends her childhood in the Scriptorium, a garden shed in Oxford where her father and a team of lexicographers are gathering words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day, she sees a slip containing the word bondmaid flutter to the floor unclaimed. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men.

A girl and her mother have been on the run for sixteen years, from police and the monster they left in their kitchen with a knife in his throat. They've found themselves a home inside a van with four flat tyres parked in a scrapyard by the edge of the Brisbane River.

In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

Troubled by recent loss, Grania Ryan has returned to Ireland and the arms of her loving family. It is here, on a cliff edge, that she first meets a young girl, Aurora. Strangely drawn to Aurora, Grania discovers that their families are deeply entwined. From a bittersweet romance in wartime London to a troubled relationship in contemporary New York, the Ryans and the Lisles have been entangled for a century.

A dark midwinter’s night in an ancient inn on the Thames. The regulars are entertaining themselves by telling stories when the door bursts open on an injured stranger. In his arms is the drowned corpse of a little child. Hours later the dead girl stirs, takes a breath and returns to life. Is it a miracle? Is it magic? Or can it be explained by science? An exquisitely crafted multilayered mystery brimming with folklore, suspense and romance as well as with the urgent scientific curiosity of the Darwinian age.

Severine Kassel is asked by the Louvre in 1963 to aid the British Museum with curating its antique jewellery, her speciality. Her London colleagues find her distant and mysterious, her cool beauty the topic of conversations around its quiet halls. No one could imagine that she is a desperately damaged woman, hiding her trauma behind her chic French image. It is only when some dramatic Byzantine pearls are loaned to the museum that Severine's poise is dashed and the tightly controlled life she's built around herself is shattered....

Rita and Rosie Stevens are only nine and five years old when their widowed mother marries a violent bully. Under pressure from her new husband, she is persuaded to send the girls to an orphanage. It is not long before the powers that be decide to send a consignment of orphans to their sister institution in Australia. Among them, without their family's consent or knowledge, are Rita and Rosie, the throwaway children.

The present: Emilie de la Martiniéres has always fought against her aristocratic background, but after the death of her glamorous, distant mother, she finds herself alone in the world and sole inheritor of her grand childhood home in the south of France. An old notebook of poems leads her in search of the mysterious and beautiful Sophia, whose tragic love affair changed the course of her family history.