As the fact checker for a popular magazine, Gabby DiMarco believes in absolute, verifiable Truths—until they throw the facts of her own life into question. The genealogy test she took as research for an article has yielded a baffling result: Gabby has a sister—one who’s been desperately trying to find her. Except, as Gabby’s beloved parents would confirm if they were still alive, that’s impossible.

Psychic-medium Sylvie Young starts every show with her origin story, telling the audience how she discovered her abilities. But she leaves out a lot—the plane crash that killed her parents, an estranged adoptive family, and the fact that her agent insists she research some clients to ensure success. Thomas Holmes’s next story at the L.A. Times may be his last, but he’s got a great personal pitch: “grief vampires” like Sylvie who prey upon the loved ones of the deceased have bankrupted his mother. He’s dead set on using his last article to expose Sylvie as a fraud.

Robin Lindstrom spent her first year as a young widow cocooned in the safe haven of the Minnesota farmhouse she’d once shared with Gabe, the love of her life—the man she thought she’d be with ’til the end. But her world is turned upside down when she receives an email informing her that her late husband has enrolled her in a dating app. The subscription lasts 12 months; use it!, Gabe’s message-from-the-grave reads. I don’t like the thought of you being alone. If you won’t do it for yourself, do it as a favor to me. Please.

The best-known secret in the city, Jane is an underground health clinic composed entirely of women helping women, empowering them to embrace their futures by offering reproductive counseling and safe, illegal abortions. Veronica, Jane’s founder, prides herself on the services she has provided to thousands of women, yet the price of others’ freedom is that she leads a double life. When she’s not at Jane, Veronica plays the role of a conventional housewife—a juggling act that becomes even more difficult during her own high-risk pregnancy.

For forty-two years, Sally Harrison has been building a library. Each year, on her daughter’s birthday, she adds a new book to her shelves – with a note in the front dedicated to her own greatest work. But Ella – Sally’s only child – fled to Australia twenty-two years ago after a heated exchange, and never looked back. And though Sally still dutifully adds a new paperback to the shelves every time the clock strikes midnight on July 11th, her hopes of her daughter ever thumbing through the pages are starting to dwindle.

Growing up in the care of her grandparents on Belhaven farm, Lizzie Craig discovers as a small child that she can see into the future. But her gift is selective—she doesn’t, for instance, see that she has an older sister who will come to join the family. As her “pictures” foretell various incidents and accidents, she begins to realize a painful truth: she may glimpse the future, but she can seldom change it. Nor can Lizzie change the feelings that come when a young man named Louis, visiting Belhaven for the harvest, begins to court her.

Ever, Lindsay, and Josie have ushered their daughters—Bea, Olive, and Savvy—through years of dance classes. They've tended bloodied feet, stitched ribbons to countless pairs of pointe shoes, and forged friendships that seem to transcend rivalry. But now Etienne Bernay, enfant terrible of French ballet, has come to their conservatory. Not only will he direct this year's production of The Nutcracker, but he's brought along a film crew to document his search for one special student who will receive a full scholarship to the Ballet de Paris Academie.

When mum of two Beth moves out of her beloved marital home and into an unloved and unkempt cottage, she can’t help but feel demoralised. Faced with months of DIY and dust, her children Jacob and Olivia aren’t impressed either. But when Beth finds a box of letters while she’s clearing out the children’s room, things start to look up. The correspondence is decades old, between agony aunt Evelyn and those in need of solace. Intrigued as to why the letters have been kept safe all these years, Beth can’t resist reading them.

Over the twenty-four years she was enslaved on the Montgomery Plantation, Louella learned to feel one thing: hate. Hate for the man who sold her mother. Hate for the overseer who left her daddy to hang from a noose. Hate so powerful there's no room in her heart for love, not even for the honorable Reverend William, whom she likes and respects enough to marry.

In 1924, four-year-old Cecily Larson’s mother reluctantly drops her off at an orphanage in Chicago, promising to be back once she’s made enough money to support both Cecily and herself. But she never returns, and shortly after high-spirited Cecily turns seven, she is sold to a traveling circus to perform as the “little sister” to glamorous bareback rider Isabelle DuMonde. With Isabelle and the rest of the circus, Cecily finally feels she’s found the family she craves.