John Kendall knows how to survive. He's written six handbooks on the subject. Now he wants to become a novelist, preferably without starving to death. But when cold and hunger set in, Kendall impulsively accepts an unlikely job. He is to research and write a biography of Tremayne Vickers, a famous racehorse trainer. Staying at Vickers' home in rural Berkshire, Kendall soon learns to like his host and friends, learns to ride racehorses, learns about murderers ... .

Alexander Kinloch, artist, has worked out a good pattern for his life. His home is a small bothy on a remote mountain in Scotland; he paints on commission, from which he derives both pleasure and a decent income; he lives alone and likes it. One day, however, Alexander's peace is violently shattered when he returns home to find a group of strangers waiting for him. Afer a scuffle, he is left for dead with only the wind and the words "Where is it?" ringing in his ears.

Malcolm Pembroke never expected to make a million pounds without making enemies. Nor did he expect his latest wife to be brutally murdered. All the clues suggest the killer comes from close to home, but after five marriages and nine children, that still leaves the field wide open. When he find his own life in danger, Pembroke entrusts his safety to his estranged son, Ian, an amateur jockey; and through him discovers a compulsive new outlet for his financial expertise.

Peter Darwin was hoping for some quiet leave from the Foreign Office. Instead he found himself in the village of his childhood, at the service of a veterinary surgeon whose operating theater was rapidly acquiring an unwanted reputation as an abattoir. The sudden unexplained death of a string of valuable racehorses from one small area in Gloucestershire was a mystery the police couldn't solve. But Darwin was local. He remembered people and what was at stake. And now he knew enough to get himself killed.

When jockey Martin Stukely dies following a fall in a steeplechase at Cheltenham races, he accidentally embroils his friend Gerard Logan in a perilous search for a stolen videotape. Gerard Logan is a glass-blower on the verge of widespread acclaim for his work.

Tim Ekaterin's merchant bank, like all banks, only invests in sure things. Now he's about to involve it in ₤5 million of prime horseflesh, a stallion called Sandcastle. Top breeders reckon it's the safest bet in racing. But racing doesn't just attract the money men of the city. It's riddled with all kinds of dubious dealmakers. People who don't think twice about breaking bones. People to whom no bet is safe until it's paid in blood, Ekaterin's blood.

Free choice? There's no such thing, according to Lee Morris. Choice is pre-ordained by your personality. Stratton Park racecourse faces ruin in the hands of a squabbling family. Lee is slowly sucked into the turmoil, unwillingly on the surface but half-understanding the deep compulsions that influence his decisions. One road leads to safety, another to death. How do you know which is which?

Despair, suicide, and obsessive hatred, mixed well with humor, love, and horses, brew up into the story of a battle between one man's nerve and another man's cunning. Robert Finn, steeplechase jockey, finds himself the focus of a malicious campaign which is also afflicting his friends. He sets out to discover its source, and remove it.

Family ties mean trouble, but when jockey Kit Fielding comes to the aid of his twin sister and her husband, Bobby Allardeck, even death threatens. Putting behind him an age old feud, Kit tries to find out who is behind a vicious newspaper campaign which is jeopardising Bobby's career as a racehorse trainer. Combining his investigations with riding winners he makes some startling discoveries.

Valentine, a blind, confused old man on his deathbed, seeking his peace with God, makes his last confession to a visiting friend, Thomas Lyon, mistaking him for a priest. This puts Thomas in a moral dilemma. Wild horses wouldn't drag from a priest the secrets of the confessional. Engaged in directing a film set in the world of racing, Thomas finds that the solution to this quandary could mean the difference between life and death.

It's the third death on Cheltenham Gold Cup Day that really troubles Sid Halley. He knows the perils of racing all too well, but in his day, jockeys didn't reach the finishing line with three .38 rounds in the chest.

When Kit Fielding, champion steeplechase jockey, finds out that his chief patron, Princess Casilia, is facing an increasingly serious threat, he goes unhesitatingly to her aid. Neither realises that his instinctive support is the first step towards a frightening battle involving violent risk, with the honour of the princess's family as the prize and Kit's own destruction as the forfeit.

To the Jockey Club, the racing world would be a better place without Julius Apollo Filmer. An expert in corruption with a devastating line in witness intimidation, and proving to be a slippery character to put behind bars. Baffled, they call in undercover security agent Tor Kelsey to keep an unflinching eye on Filmer and his associates. A mission that takes him from the finest of English racecourses to the wild Canadian interior, on a luxury transcontinental train journey to end them all.

A beautiful Italian girl driving home in an open top sports car, a little boy playing on a South Coast beach and the senior steward of the Jockey Club on his way to a press reception in Baltimore. One after the other they suffer the same nightmare ordeal - kidnapping. But there is one thing connecting these particular cases. For the Italian girl is a jockey, and the little boy an only son of a racehorse owner.

When a sick friend asks Edward Lincoln to investigate the comprehensive failure of a string of racehorses, he agrees to help out. But it is impossible for him to go about the task quietly and unnoticed because he is now a world-class star of action films, in which he always plays the hero. And the apparently easy survey of the string of racehorses blows him through a smokescreen into circumstances, where, to survive, he has to make himself become the man everyone else already thinks he is.