Straight

Malcolm Pembroke never expected to make a million pounds without making enemies. Nor did he expect his latest wife to be brutally murdered. All the clues suggest the killer comes from close to home, but after five marriages and nine children, that still leaves the field wide open. When he find his own life in danger, Pembroke entrusts his safety to his estranged son, Ian, an amateur jockey; and through him discovers a compulsive new outlet for his financial expertise.

Free choice? There's no such thing, according to Lee Morris. Choice is pre-ordained by your personality. Stratton Park racecourse faces ruin in the hands of a squabbling family. Lee is slowly sucked into the turmoil, unwillingly on the surface but half-understanding the deep compulsions that influence his decisions. One road leads to safety, another to death. How do you know which is which?

John Kendall knows how to survive. He's written six handbooks on the subject. Now he wants to become a novelist, preferably without starving to death. But when cold and hunger set in, Kendall impulsively accepts an unlikely job. He is to research and write a biography of Tremayne Vickers, a famous racehorse trainer. Staying at Vickers' home in rural Berkshire, Kendall soon learns to like his host and friends, learns to ride racehorses, learns about murderers ... .

A beautiful Italian girl driving home in an open top sports car, a little boy playing on a South Coast beach and the senior steward of the Jockey Club on his way to a press reception in Baltimore. One after the other they suffer the same nightmare ordeal - kidnapping. But there is one thing connecting these particular cases. For the Italian girl is a jockey, and the little boy an only son of a racehorse owner.

Alexander Kinloch, artist, has worked out a good pattern for his life. His home is a small bothy on a remote mountain in Scotland; he paints on commission, from which he derives both pleasure and a decent income; he lives alone and likes it. One day, however, Alexander's peace is violently shattered when he returns home to find a group of strangers waiting for him. Afer a scuffle, he is left for dead with only the wind and the words "Where is it?" ringing in his ears.

When the horse that wins a race gallops in with frothing mouth and popping eyes, what is more natural than to suspect that someone¿s slipped a booster into his oats? With eleven steeplechasers hurtling over the finish line in this pepped up states and all the dope tests conclusively negative, the Earl of October had something of a problem if he wanted to preserve the health of his favorite sport.

Perry Stuart is a TV meteorologist who routinely works before the cameras. His life calm and ordered, his face familiar to every British household, Stuart's profound weather knowledge and accuracy have given him high status among forecasters, but no physical baptism by storm. Not, that is, until a fellow forecaster offers him a Caribbean hurricane-chasing ride in a small aeroplane.

The house was stripped bare of all its treasures. Gone was the furniture, the family silver, the paintings and the antique china. And if that was a shock for Charles Todd, painter of horses, how much more harrowing was the trauma for his cousin Donald, whose house it was and whose young wife lay on the sitting room floor, bloody and dead... A coincidental meeting with a middle-aged widow sends Charles off to Australia, on the trail of a gang with a fruitful business in forging works of art.

At an annual party to celebrate the success of the racing season, everything seemed to be running well to form, including the need for more champagne. Then a runaway horsebox ploughed into the marquee. A witness to the terrible death and destruction, wine merchant Tony Beach knows it is just one of those tragic accidents. But when his expert advice is called into play over sub-standard alcohol in a local night club, connections start to click, and another person dies, horribly.

Tim Ekaterin's merchant bank, like all banks, only invests in sure things. Now he's about to involve it in ₤5 million of prime horseflesh, a stallion called Sandcastle. Top breeders reckon it's the safest bet in racing. But racing doesn't just attract the money men of the city. It's riddled with all kinds of dubious dealmakers. People who don't think twice about breaking bones. People to whom no bet is safe until it's paid in blood, Ekaterin's blood.

Computer whiz-kid Peter Keithly, asked to transfer a betting formula onto computer tape, dies shortly afterwards. An old friend of his, Jonathan Perry, finds himself in possession of the tapes, and also discovers that there are greedy, desperate men who will do anything to get their hands on the lucrative software. The evil, bull-faced Angelo goes too far and ends up in jail. Fourteen years later he's free, and very keen not only to get hold of the tapes, but also Jonathan Derry.

Amazing what bodily injury could do for a man. A fall from a racehorse had left brilliant jockey Sid Halley dangerously depressed, with a wrecked hand and the need for a new career. And now a bullet wound was helping him find one. He'd been with a detective agency since his racing accident, but it wasn't until some two-bit hoodlum drilled a slug into his side that he was sent out on a case of his own. That was where he met Zanna Martin, a woman who just might make life worth living again.

James Tyrone was the troubleshooting gracing correspondent of the Sunday Blaze, a newspaper dedicated to exposing scandals I the noisiest (and most profitable) way. Ty was accustomed to hot water, but from the day a Fleet Street colleague died after give him some serious advice, he found himself wading deep into more danger than he expected.

Philip Nore is nearing the end as a jockey. George Millace is finished in photography. The differnce is, Millace is dead, and Nore has discovered his secret: a set of files which would blow the top off the racing world. Hated by a dying grandmother he has never known and abused by a trainer he knows only too well, Nore is no stranger to shabby morals. And when he begins to decipher the dead man's photographs, he uncovers corruption on a scale he had never imagined.

Valentine, a blind, confused old man on his deathbed, seeking his peace with God, makes his last confession to a visiting friend, Thomas Lyon, mistaking him for a priest. This puts Thomas in a moral dilemma. Wild horses wouldn't drag from a priest the secrets of the confessional. Engaged in directing a film set in the world of racing, Thomas finds that the solution to this quandary could mean the difference between life and death.