Over the course of two award-winning collections and a critically acclaimed novel, The Croning, Laird Barron has arisen as one of the strongest and most original literary voices in modern horror and the dark fantastic. Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron's stories have garnered critical acclaim and have been reprinted in numerous year's best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.

It was Vera’s idea to buy the Itza. The “world’s most advanced smart speaker!” didn’t interest Thiago, but Vera thought it would be a bit of fun for them amidst all the strange occurrences happening in the condo. It made things worse. The cold spots and scratching in the walls were weird enough, but peculiar packages started showing up at the house - who ordered industrial lye? Then, there was the eerie music at odd hours, Thiago waking up to Itza projecting light shows in an empty room.

The title story of this collection - a devilishly ironic riff on H. P. Lovecraft's "Pickman's Model" - was nominated for a World Fantasy Award, while "Probiscus" was nominated for an International Horror Guild award and reprinted in The Year's Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.

Claire Kovalik is days away from being unemployed—made obsolete—when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate.

Edgar Allan Poe was a writer, poet, editor and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre, and is widely regarded as a central figure of Romanticism in the United States and of American literature. Poe was one of the country's earliest practitioners of the short story and considered to be the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction.

You wouldn’t think events happening years apart, at points in the solar system hundreds of millions of miles distant, would have anything to do with each other. When she was six, Daphne was taken into a neighbor’s tool shed and came within seconds of never coming out alive. Most of the scars healed. Except for the one that went all the way through. You wouldn’t think that the serial murders of children and the one who got away would have any connection with the strange fate of one of Jupiter’s moons.

Facing down an unprecedented malevolent enemy, the government responds with a nuclear attack. America as it was is gone forever, and now every citizen - from the President of the United States to the homeless on the streets of New York City - will fight for survival. In a wasteland born of rage and fear, populated by monstrous creatures and marauding armies, earth's last survivors have been drawn into the final battle between good and evil, that will decide the fate of humanity.

When horror writer Nick Steen gets sucked into a cursed typewriter by the terrifying Type-Face, Dark Lord of the Prolix, the hellish visions inside his head are unleashed for real. Forced to fight his escaping imagination - now leaking out of his own brain - Nick must defend the town of Stalkford from his own fictional horrors, including avascular-necrosis-obsessed serial killer Nelson Strain and Nick's dreaded throppleganger, the Dark Third.

Originally broadcast on BBC Radio 4, Jeremy Irons' perceptive reading illuminates the poetry of T. S. Eliot in all its complexity. Major poems range from 'The Love Song of J. Alfred Prufrock' through the post-war desolation of 'The Waste Land' and the spiritual struggle of 'Ash-Wednesday', to the enduring charm of 'Old Possum's Book of Practical Cats'.

The Ruins follows two American couples enjoying a pleasant, lazy beach holiday together in Mexico. On an impulse, they go off with newfound friends in search of one of their group, the young German who, in pursuit of a girl, has headed for the remote Mayan ruins, site of a fabled archeological dig.

A newborn’s absent face appears on the back of someone else’s head, a filmmaker goes to gruesome lengths to achieve the silence he’s after for his final scene, and a therapist begins, impossibly, to appear in a troubled patient's room late at night. In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses—whether we know it or not. 

The Devil comes to Moscow, but he isn't all bad; Pontius Pilate sentences a charismatic leader to his death, but yearns for redemption; and a writer tries to destroy his greatest tale, but discovers that manuscripts don't burn. Multi-layered and entrancing, blending sharp satire with glorious fantasy, The Master and Margarita is ceaselessly inventive and profoundly moving. In its imaginative freedom and raising of eternal human concerns, it is one of the world's great novels.

When the Imagine Network commissioned a documentary on mermaids, to be filmed from the cruise ship Atargatis, they expected what they had always received before: an assortment of eyewitness reports that proved nothing, some footage that proved even less, and the kind of ratings that only came from peddling imaginary creatures to the masses.

Red Schuhart is a stalker, one of those young rebels who are compelled, in spite of extreme danger, to venture illegally into the Zone to collect the mysterious artifacts that the alien visitors left scattered around. His life is dominated by the place and the thriving black market in the alien products. But when he and his friend Kirill go into the Zone together to pick up a "full empty", something goes wrong.

When Diya Burman's best friend, Angie, dies unexpectedly, it feels like her own life is falling apart. Grief costs her friends, family and even her job. But that's ok, because now she's got a new job: working at Slough & Sons, a family firm that deals in cleaning up after the recently deceased. Old love letters. Porcelain dolls. Hoarded trinkets. Clearing away the remnants of other people's lives, Diya begins to see things. Horrible things. Things that get harder and harder to write off as merely her grieving imagination.