After arriving on Block Island to find her birth mother, Blake Bronson becomes convinced she’s the heroine of a gothic novel—the kind that allowed her intermittent escape from a traumatic childhood. How else to explain the torrential rain, the salt-worn mansion known as White Hall, and the restless ghost purported to haunt its halls? But before Blake can discern the novel’s ending, she’s found dead, murdered in a claw-foot tub. The proprietress of White Hall stands accused.

Some girls are fearful, others are brave. One girl’s a princess, the next one a slave. But all girls are equal when they’re down in this cave, until just one is left standing—The Prettiest Girl in the Grave.

Corey is falling in love with his co-worker Quinn. This is a problem. Not only because Quinn is married, but because her husband is a serial killer known as the Toledo Trasher, who has been forcing her to participate in his savage crimes.

Halloween, 1963. They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death. Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end future in this one-horse town.

Beauty is...pain. But for Pamela Rose beauty is everything. She spends every day and almost every dollar fighting a losing battle against nature. When a young coworker comes to the office with a new set of breast implants, Pam's delicate psyche begins to crack. Doctor Joseph DiBiro used to make art from flesh and plastic, but after his release from prison the only thing he's handling is a broom. He knows he has more to give the world; he's not done creating beauty. He just needs the right patient.