Recognizing how common it is for crafters to start many projects and finish few, a group of women join together to form a guild - Unfinished Projects Anonymous - to keep each other on track and accountable. Three friends are tasked with the job of home visits for their guild. Over the course of the story, this ensemble of women discover that much of life is half-finished - relationships, the raising of children, even our very relationship with the Lord - and that may be perfectly fine.

Mona and Ken Sorenson are approaching the best years of their lives. Mona's greatest concern is that Ken will learn of the surprise party she's planning for his retirement from his job as dean of students at Stone University. They've already been making plans to travel and spend limitless hours in the garden, and Ken is looking forward to working on his woodworking and fishing with his grandchildren. It's what they deserve after years of careful planning. But things begin to unravel....

Keira Johnson, a 50-year-old mother of two grown sons, believes she lives a good Christian life without secrets - until she discovers a life-jarring fact her late mother kept hidden all her life. Kiera was born out of wedlock, and the man she had always known as her father had adopted her as an infant. Meanwhile, Keira's beloved 17-year-old niece, Kirsten, has just discovered an unwanted pregnancy. Her boyfriend, Jose, is bound for college and Kirsten does not know what to do.

Dinah Taylor has an orderly life that is just how she likes it. A perfectly furnished luxury apartment, a satisfying career as a scientist and CEO of her own company, and an uncomplicated personal life. But all of that changes when she meets seven-year-old Jonah. The boy shows up one day, a scruffy dog by his side, in front of her office building. Dinah knows nothing about kids and even less about animals, but after she buys him breakfast, he shows up the next day...and the next. She tries to learn more about him, to help him, but he's remarkably skilled at evading her questions.

"But Mother is always dying" is Gillian Ormsby's sarcastic response when her younger, favored sister tells her that she has to go take care of their hypochondriac mother. Much against her will, since she and her mother never have gotten along, Gillian arrives in California to find the garden and yard dead, the blinds all drawn, and her mother indeed in bed - waiting to die. But when Gillian talks with the doctor, he assures her there's no medical reason behind her mother's state.